The first episode with the series' Julia Pennyworth. Casting Christina Wolfe was a classic whitewashing drama because in the comics she's the dark-skinned daughter of Batman's butler Alfred and Mademoiselle Marie (but only since 2014). Originally, everyone was white, and Julia started as Julia Remarque, whose…

A film that offers some impressive moments, but as a whole it mostly skims the surface. It deals with a few key themes, but it is mostly too thesis-like and one-dimensional. A raging America where we get no introduction and a miserable, rushed conclusion. Jesse Plemons steals for himself what is undoubtedly the film's…

It’s too colourful, too CGI-laden, and Jennifer Lopez runs around with her big ass at the beginning and admits in one of the dialogues that she has wrinkles and covers her grey hair because nobody gets younger, and for that she gets my nod because her Botox colleagues in the industry probably see it differently. You…

The 61st Disney feature film is a modern blend of classic adventure stories from the Earth's core. The family dynamics are reminiscent of Indiana Jones, but one can practically recall anything from Verne's works to Narnia or Pellucidar. In the context of Disney films, the theme continues from Atlantis: The Lost Empire…

An extraordinarily gentle, quiet and slow film with a pure melancholic soul. It starts out as a profile of overpopulated, rain-soaked Mumbai with a look into the lives of two friends living there and later shifts to a calmer, quieter place. As the debut fictional film of an experienced documentary filmmaker, All We…

The endearing boorishness of the protagonist – or rather of the whole series – could have easily resulted in a festival of jokes about falls, farting and disabilities (in a way different from that of the main character). As it stands, however, it is actually a rather tasteful and, thanks to the fragmented structure …

The depiction of an animal’s suffering at the hands of a person marks War Horse as a cousin of Bresson’s Balthazar, while the relay narrative structure is reminiscent of Jancsó’s The Red and the White. I realise that these are wild comparisons that I should tone down in time, but I still consider Spielberg’s latest…

A young man with a moustache, a younger man with a thicker moustache (I got them mixed up during the first twenty minutes) and an older man with a moustache are seduced by a woman without a moustache. Melodrama non plus ultra. It’s just dumb, but cleverly directed. Buñuel economises on the shots as if it wouldn’t make…

There are two of them, two of the many unctuous liars who steal from rich ladies. The first one is worse than the second and thus qualified to give, under duress, his competitor a few lessons in being a sleazeball. After a remedial retraining and a few warm-up betrayals, the prodding with much sharper objects begins.…

Deadly Is the Female. Soderbergh approached the cohabitation of a man and woman in an absolutely logical way – as an action thriller. The film’s leitmotif is the necessity of overcoming the collapse of one’s first serious relationship. Meanwhile, the female protagonist tries marriage, seen by both participants from…