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In an attempt to end wars and maintain peace, humankind has outlawed the things that trigger emotion -- literature, music, and art. To uphold the law, a special breed of police is assigned to eliminate all transgressors. But when the top enforcer (Bale) misses a dose of an emotion-blocking drug, he begins to realize that things are not as they seem! (official distributor synopsis)

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Reviews (12)

Lima 

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English A slightly schizophrenic mix of 1984, Fahrenheit 451, Minority Report and The Matrix. Some may like it, but it doesn't work together for my taste. The beginning was promising, though, an oppressive vision of an Orwellian society, with the excellent Bale as a cleric discovering his feelings. It had atmosphere, it had depth, but as time went on it became more and more of a mess, kept afloat by the few scenes of Bale and Emily Watson together. I wish Wimmer would make a proper action flick next time, because the final action sequence was excellent. PS: My wish was granted 4 years later, unfortunately. ()

Othello 

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English Definitely a film for me that made me realize how scared filmmakers are of proper action sequences these days. Visual splendor, amazing music, great sets, and the final fight with the main bastard is a choreographed delicacy. I'll also mention the fast direction, the clever cinematography, and the really superb editing, especially of the action scenes. And yet the vision of a world without emotions – the filmmakers took on too much with that. From that perspective, it's quite a mess. That's why I’m not giving it a 5. ()

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novoten 

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English A genre mix with an idea that not even the legendary 1984 managed to bring to its end. What is missing here in some passages in action, makes it better. It is a pity for the slow start, which instead of an exciting action sci-fi ride, resembled a tired post-apocalyptic story. The rest is visually attractive and intellectually engaging, on the second try even more abundant and complex. ()

Kaka 

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English The urban-industrial feeling is great, kind of retrofuturistic, it slightly reminds me visually of V for Vendetta. The action is great but lacks a bit of budget (but it still has a lot of energy and power), and the flashy explosion scenes are not exactly the great, but they are alright for an action B-movie with reasonable ambitions. Christian Bale is likeable and the idea is deep, although simple. There are some flaws, but nothing major. This film has pace and drive and knows what it wants to say and how. That's the main thing. ()

Marigold 

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English The cult status of Equilibrium has indeed remained a bit of a mystery to me, because this film cannot deny its B-movie aspects even through a poor visual aspect, which in some passages literally stinks of a cheap action film, or with the script, which does develop a very interesting totalitarian Orwellian-Bradbury plot, but at the cost of cheap twists and not very convincing replicas. Even the choreographic aspects of Equilibrium cannot match the brilliance of The Matrix, the futuristic martial arts only look good in certain moments, while sometimes it looks like an excessively accelerated pub brawl. Kurt Wimmer really isn't a great director, and the strangled budget certainly didn't help him much, so his film gives off an uneven impression, cheap moments alternate with successful ones, and good pictorial compositions are alternated by crap. I liked Christina Bale the most in the main role. He does not dazzle, but he plays his role with an overview (albeit without Reeves charisma). Overall, Equilibrium seemed to me like a promising sketch, walled up by overly flashy B-movie crayons. ()

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