Mission: Impossible III

Uncompromisingly unrelenting from the first seconds, larger-than-life in the action moments with thrilling special effects, and always eases up at the right moment. This is a thriller that is unparalleled in the spy subgenre in recent years (except for the Bourne films, which are in a completely different league). Abrams's direction is like a Swiss watch. It doesn't get stuck even in the more intimate scenes of the engaged secret agent (the return home after a failed operation is one of the most moving parts of the film) and thanks to the brilliant casting, it doesn't slip into theatricality even at its weakest moments. Oscar-winner Phillip Seymour Hoffman is a cold-blooded asshole like no other, Ving Rhames sprinkles dry catchphrases, Michelle Monaghan plays more than just a "damsel in distress," and even Tom Cruise is watchable, though he strikes his usual pose here as well. Even so, Mission: Impossible III is the best possible film for a single watch that can see the light of day from the waters of the standard Hollywood mainstream. (03/10/2006)

Mission: Impossible III has only one absolutely great action scene (and we’ve already seen it in the trailer) and it lacks the high-tech charge that was typical of the preceding instalments. However, these shortcomings are offset by the film’s superb balance of authenticity (!) with a detached sense of humor and, mainly, its dynamic story in which something important is constantly happening, driven by urgency and emotions. Ethan’s relationship with his new wife works very well and when her life is hanging in the balance, it’s about more than saving the world. The less we see of the super-villain played by Philip Seymour Hoffman, the more impressive are the scenes featuring him. This is a different but effective instalment in the franchise. It’s a popcorn movie that, like the Bourne films, won’t insult your intelligence. I was most pleased with the breakneck shots, starting on Cruise’s face and continuously following his subsequent acrobatic stunts (jumping off of a skyscraper, running across Chinese rooftops). This makes up for the absence of De Palma and Woo’s eye-candy action from the previous M:I films. (02/05/2006)

It was only when I got to this film that I actually realized I had never seen it before. One, two, and four, yes, but the third one somehow cleverly evaded me. I was quite curious, even though watching "M:I 3" at a time when one is nicely chronologically going through all the Bond films is not the best solution. Not that "M:I 3" doesn't have anything to offer, but one has the feeling that it's a bit of the same. However, it is true that J.J. Abrams gave this series a boost again and it's not bad compared to the Bond films. Mainly because the Bond films are often quite exhausted. Abrams added emotions to the film and it really works. Philip Seymour Hoffman once again showed how he was born for acting. (07/03/2014)

There is one positive thing I have to admit about this film. Out of the three sequels about the indestructible agent, it is the best one, but I have a problem with the whole series, just as I have a problem with the majority of action movies. It is simply an unrealistic fairy tale, where you need to turn off your brain and not think about the numerous holes in the logic. Unlike the series of James Bond films, it lacks style and humorous exaggeration. The third part is the most mature in terms of filmmaking, but paradoxically it lacks a truly worthy opponent compared to the previous two films. Philip Seymour Hoffman is a great actor, but he doesn't get enough space and the script doesn't demonize him enough, and if it weren't for the betrayal, he would play a rather embarrassing role as a quickly defeated opponent. If someone is to stand up to such a brilliant invincible agent like Ethan Hunt and the American Secret Service equipped with hi-tech technology, it must be truly a devil in human form, who aims at least, but I emphasize at least, to take over the world... Overall impression: 45%. (14/04/2009)

Hunt's most balanced escapade. Innovator Abrams managed to revive a somewhat exhausted series into a position of a strong blockbuster player, and thanks to fast editing, well-developed characters, and a close portrayal of Ethan's character, he achieved a nearly historic success. Despite his specific approach, he never lets us forget which action hero we are watching, taking the best from the cleverly targeted mood of the first installment and the action-packed sequel. This time, I found myself holding my breath for the central adventurer, rooting for him intensely, and shivering during all the action sequences. Until the period when McQuarrie took the series under his wing (forever?), I actually liked the third installment the most among the entire M:I franchise. As the years go by, it loses some of its uniqueness and irreproducibility, but fortunately, not the entertainment value, tangible drive of the story, likable attempts to deviate from genre conventions, and last but not least, the atypical (and cunningly) villain. (31/07/2006)