Mission: Impossible III

Hunt's most balanced escapade. Innovator Abrams managed to revive a somewhat exhausted series into a position of a strong blockbuster player, and thanks to fast editing, well-developed characters, and a close portrayal of Ethan's character, he achieved a nearly historic success. Despite his specific approach, he never lets us forget which action hero we are watching, taking the best from the cleverly targeted mood of the first installment and the action-packed sequel. This time, I found myself holding my breath for the central adventurer, rooting for him intensely, and shivering during all the action sequences. Until the period when McQuarrie took the series under his wing (forever?), I actually liked the third installment the most among the entire M:I franchise. As the years go by, it loses some of its uniqueness and irreproducibility, but fortunately, not the entertainment value, tangible drive of the story, likable attempts to deviate from genre conventions, and last but not least, the atypical (and cunningly) villain. (31/07/2006)

Uncompromisingly unrelenting from the first seconds, larger-than-life in the action moments with thrilling special effects, and always eases up at the right moment. This is a thriller that is unparalleled in the spy subgenre in recent years (except for the Bourne films, which are in a completely different league). Abrams's direction is like a Swiss watch. It doesn't get stuck even in the more intimate scenes of the engaged secret agent (the return home after a failed operation is one of the most moving parts of the film) and thanks to the brilliant casting, it doesn't slip into theatricality even at its weakest moments. Oscar-winner Phillip Seymour Hoffman is a cold-blooded asshole like no other, Ving Rhames sprinkles dry catchphrases, Michelle Monaghan plays more than just a "damsel in distress," and even Tom Cruise is watchable, though he strikes his usual pose here as well. Even so, Mission: Impossible III is the best possible film for a single watch that can see the light of day from the waters of the standard Hollywood mainstream. (02/10/2006)

Hands-down the biggest and best action hit of the year, impressive in its forcefulness, continuous adrenaline action, and solid performances. J.J. Abrams raises reality and the laws of physics much higher than Brian De Palma or even John Woo did. Ethan Hunt is completely different for the third time, and this image is damn good. It’s nonsense to compare it to the previous installment, as they are two completely different pieces, technically, aesthetically, stylistically, and in terms of the action itself. It is unusually fierce for an action blockbuster, with a solid dose of realism. In addition, Abrams utterly rules the audience with some set-pieces and fast but incredibly clever plot twists, detailed studies of various tricks (like creating a facial mask), and gimmicks. That is one thing this series was missing. Tom Cruise is a capable actor and his physical condition is unbelievable (see the almost minute-long uncut shot of his sprint in treacherous alleyways), and that's exactly how a special agent should look. And just when it seems like there could be some wear and tear, a cool line and a healthy touch humour come into play. Philip Seymour Hoffman is so arrogant and brutal as the villain that he’s a joy to watch. One of the highlights of this year. (05/10/2006)

Mission: Impossible III has only one absolutely great action scene (and we’ve already seen it in the trailer) and it lacks the high-tech charge that was typical of the preceding instalments. However, these shortcomings are offset by the film’s superb balance of authenticity (!) with a detached sense of humor and, mainly, its dynamic story in which something important is constantly happening, driven by urgency and emotions. Ethan’s relationship with his new wife works very well and when her life is hanging in the balance, it’s about more than saving the world. The less we see of the super-villain played by Philip Seymour Hoffman, the more impressive are the scenes featuring him. This is a different but effective instalment in the franchise. It’s a popcorn movie that, like the Bourne films, won’t insult your intelligence. I was most pleased with the breakneck shots, starting on Cruise’s face and continuously following his subsequent acrobatic stunts (jumping off of a skyscraper, running across Chinese rooftops). This makes up for the absence of De Palma and Woo’s eye-candy action from the previous M:I films. (02/05/2006)

A spectacular and thrilling ride that uses a very simple plot to continuously present stylish and very realistic action, just as we would always like to see under the MI brand – the ground-to-air shootout on the bridge, in particular, is one of the best ever in cinema. The ending may be surprising only by how unsurprising it is, but otherwise just about everything works for Abrams, from the aforementioned riveting action to the repulsive bad guys (Hoffman) to the genre soundtrack (was it me, or was one Shanghai theme really that reminiscent of Silvestri’s Predator?) to the all-important element of Ethan's deep relationship with his life-threatened wife, which finally put a more personal and tangible danger on the agenda than just "destroying the world". An honestly supercharged hit that cleverly raises established genre benchmarks to a higher, albeit exclusively visual, experiential level. 80% (28/11/2015)