Mission: Impossible III

It’s been a long time since I came across such an exciting and unpredictable action thriller (I really didn’t expect to see Pavel Sobotka appearing in it :). Some things were predictable, but Abrams distracts from them more than perfectly and keeps you in constant suspense. It's also nice to humanize, and show the imperfections of Ethan Hunt, who is still as cool as before, but he's unlucky and not everything works out (running out of ammo at key moments are prime examples). Another great change is the team. Finally, we get to see all the team members in action and not just Hunt. This time he relies on them and fully cooperates with them, which is quite different from the previous parts. In addition, Hoffman is a fantastic villain, completely uncompromising and, most of all, believable. Cruise is more or less in good form, as is the rest of the cast. The best installment in the Mission: Impossible series to date (and quite possibly the last). (22/09/2006)

Hunt's most balanced escapade. Innovator Abrams managed to revive a somewhat exhausted series into a position of a strong blockbuster player, and thanks to fast editing, well-developed characters, and a close portrayal of Ethan's character, he achieved a nearly historic success. Despite his specific approach, he never lets us forget which action hero we are watching, taking the best from the cleverly targeted mood of the first installment and the action-packed sequel. This time, I found myself holding my breath for the central adventurer, rooting for him intensely, and shivering during all the action sequences. Until the period when McQuarrie took the series under his wing (forever?), I actually liked the third installment the most among the entire M:I franchise. As the years go by, it loses some of its uniqueness and irreproducibility, but fortunately, not the entertainment value, tangible drive of the story, likable attempts to deviate from genre conventions, and last but not least, the atypical (and cunningly) villain. (31/07/2006)

It was only when I got to this film that I actually realized I had never seen it before. One, two, and four, yes, but the third one somehow cleverly evaded me. I was quite curious, even though watching "M:I 3" at a time when one is nicely chronologically going through all the Bond films is not the best solution. Not that "M:I 3" doesn't have anything to offer, but one has the feeling that it's a bit of the same. However, it is true that J.J. Abrams gave this series a boost again and it's not bad compared to the Bond films. Mainly because the Bond films are often quite exhausted. Abrams added emotions to the film and it really works. Philip Seymour Hoffman once again showed how he was born for acting. (07/03/2014)

There is one positive thing I have to admit about this film. Out of the three sequels about the indestructible agent, it is the best one, but I have a problem with the whole series, just as I have a problem with the majority of action movies. It is simply an unrealistic fairy tale, where you need to turn off your brain and not think about the numerous holes in the logic. Unlike the series of James Bond films, it lacks style and humorous exaggeration. The third part is the most mature in terms of filmmaking, but paradoxically it lacks a truly worthy opponent compared to the previous two films. Philip Seymour Hoffman is a great actor, but he doesn't get enough space and the script doesn't demonize him enough, and if it weren't for the betrayal, he would play a rather embarrassing role as a quickly defeated opponent. If someone is to stand up to such a brilliant invincible agent like Ethan Hunt and the American Secret Service equipped with hi-tech technology, it must be truly a devil in human form, who aims at least, but I emphasize at least, to take over the world... Overall impression: 45%. (14/04/2009)

A spectacular and thrilling ride that uses a very simple plot to continuously present stylish and very realistic action, just as we would always like to see under the MI brand – the ground-to-air shootout on the bridge, in particular, is one of the best ever in cinema. The ending may be surprising only by how unsurprising it is, but otherwise just about everything works for Abrams, from the aforementioned riveting action to the repulsive bad guys (Hoffman) to the genre soundtrack (was it me, or was one Shanghai theme really that reminiscent of Silvestri’s Predator?) to the all-important element of Ethan's deep relationship with his life-threatened wife, which finally put a more personal and tangible danger on the agenda than just "destroying the world". An honestly supercharged hit that cleverly raises established genre benchmarks to a higher, albeit exclusively visual, experiential level. 80% (28/11/2015)