Good Time

This movie is definitively one of the most interesting ones of 2017. The dynamic musical undertone takes turns with a rather alternative method of transferring the script to the film screen. Alternative in the sense that everything in the film is quite raw, sometimes even disgusting. And Robert Pattinson did a great job portraying a character who is drowning in a quagmire of this human depravity. His behavior just makes no sense at all. (27/12/2017)

A raw and pretty original insight into the life of a cunning thief. Pattinson enjoys his role of perverse scab with strange moral boundaries. His attempts at getting his disabled brother out of prison/hospital and the winding road leading to this goal serves only as a way of investigating the logic both of the main protagonist and of the lower classes of dirty New York. Great music, unbelievable pace. (02/11/2021)

A kinetic social thriller that feels burnt out from the first shot and isn’t helped much by the lobotomized twists, or even the likable but insensitively used 80s analogue hell soundtrack from Oneohtrix Point Never. Pattinson gives the best performance of his career - but let's face it, his character is so external that he doesn't have to do all that much work. (27/05/2017)

Robert Pattinson's performance pleasantly shocked me in such a way that for a moment I didn't recognize any of his previous roles. Additionally, when the story grabbed me so tightly that I couldn't even breathe for the first twenty minutes, I began to hope that the rumors about Drive on an acid trip would at least be partially fulfilled, but these remained only promises. Sometime in the third act, the plot and development stagnated so suddenly and nonsensically that I suspected at times that the creators only seriously wrote the first act. Wasted potential and a race to deny clichés as much as possible, which ultimately trips up all the creators. (13/12/2017)

An overnight odyssey from nowhere to nowhere, with a way too slow course of events and the behavior of characters that is simply stupid even if we take into account that the movie takes place in a world of a pothead bottom of society, where you hardly come across anyone who is enlightened by intelligence. There´s no doubt about it. But the Safdie brothers don't give you any slightest space to realize it. From the very beginning, they grab your neck by a raw forward racing straightforward pace, that I have never seen, which goes hand in hand with the absorbing hypnotic atmosphere and performance of Pattinson, which will engage your full attention. But… But in the middle of the movie it hits the brake (which is justified), but then it never hits the pedal again. Also because the focus of the movie partly switches to another new character. And so suddenly, sadly, we have enough time to get over the captivating ecstasy of the first half and realize the problems I mentioned at the beginning, which will start to annoy you. And they will annoy you a lot. Despite all this, you can still enjoy it. That´s for sure. Pattinson is still brilliant, a few scenes have the magic of the first half, and the synthetic rumbling soundtrack from Oneohtrix Point Never wouldn't make you bored even in a movie twice that long. But you inevitably realize that you are watching a once in a decade opportunity which was simply wasted, even though the movie has the potential and at the beginning it seemed that it could have become a movie of a decade. (22/09/2017)