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Sean Connery returns as James Bond in this thrill-a-minute adventure featuring remarkable villains, beautiful women and exotic locales! This time, Bond squares off against the evil spectre organisation in a race to seize the Soviet Lektor decoding machine, thrusting him into a thrilling boat chase, a brutal helicopter attack and a deadly brawl aboard the Orient Express. (20th Century Fox Home Entertainment)

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Reviews (12)

novoten 

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English A deviant contribution to the British film crown jewels, but one that brings a heap of contradictions. For some, this is the very signature of Bond, one they would like to see more often, and I acknowledge that the tough battle with the cold spy adversary is among the best that the sixties adventures could offer. However, watching it with the removal of six decades is sometimes painful because a disastrous first half precedes a thrilling second half. In the first half, empty dialogue is carried out, episodic scenes are chained together, and opponents of 007's sexist face have a field day. The highly positioned female antagonist is portrayed as an ugly box, and as a reward for saving the group, the main hero is reluctantly offered two women from the local community. And there are lots of other things that are too much a product of their time, causing my smile to twist into a cringe unnecessarily often. Sean Connery himself, of course, plays it with a charm all his own, but this time it almost wasn't enough. ()

DaViD´82 

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English The best Bond movie with Sean Connery. Or rather... The best Bond movie ever. Significantly different that the rest and more of a classic cloak-and-dagger movie. However it’s the most serious one and thrilling at the same time, a bit tongue in cheek with a lot of action and also quite realistic in places. For instance the fight in the train compartment is the type of a physical action which you don’t usually find in a standard Bond movie (well at least not until Craig’s arrival). ()

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Isherwood 

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English For a film that takes nearly an hour to really get going, and that the villains don't come up with a megalomaniacal plan to destroy half the world, it's still interesting throughout. This fact is aided by Young's brisk direction and the cleverly simple script that doesn't offer much in the way of action sequences, but I give respectful kudos for those few bits; particularly Bond's fight with Grant on the train is something that, given its physicality, is something that Bourne needed to rediscover 40 years later. ()

Lima 

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English 007__#2__One of the best Bond films. It has an interesting compact plot by Bond standards, cool villains (the girl with the bayonet in her shoe is great, Martin Shaw as a straightforward killer), and the few action scenes are pretty good and brisk (well shot train fight). A big improvement compared to Dr. No. ()

Kaka 

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English It's unbelievable how this film from 1963, which was already completely different in terms of filmmaking, managed to inspire and captivate me. Bond's lines and grimaces haven't aged even after 50 years. Some effects are naturally clunky, but the can be tolerated thanks to the pace and strong script. Excellent villains, a fantastic fight on a train, and above all, an incredible pace. Compared to the first installment, it's a huge leap forward. I expected to watch it more out of obligation, but I devoured it with unexpected enthusiasm. Even back then, they were able to beautifully utilize the settings – Istanbul and Venice – with a sense for excellent cinematography. ()

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