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Amidst a future war between the human race and the forces of artificial intelligence, Joshua (Washington), a hardened ex-special forces agent grieving the disappearance of his wife (Chan), is recruited to hunt down and kill The Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war… and mankind itself. Joshua and his team of elite operatives journey across enemy lines, into the dark heart of AI-occupied territory… only to discover the world-ending weapon he’s been instructed to destroy is an AI in the form of a young child. (20th Century Studios)

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Reviews (10)

3DD!3 

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English An audiovisual feast... A beautiful setting in an underdeveloped Asia that is being destroyed by imperialist (American) scum with their ruthless missiles. Add to that a roaring Zimmer and maybe Radiohead. Unfortunately, though, with a stupid, unlikeable hero who doesn't know what he wants and betrays everyone who comes in contact with him. John David Washington is cruelly out of place here, and even the little girl is better than him, but that's the least of the problems. The narrative structure is fine, though I was expecting a more interesting twist, but the bigger problem is when some things contradict each other, failing to follow the given rules of the imagined world, which itself works rather oddly. They must have left a lot out in, and it often feels like stroking against the grain. There’s a good film buried in there somewhere, but Gareth Edwards has badly mishandled it and I can't work out if it was already on paper or later in the editing room. ()

Kaka 

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English A mix of Oblivion, Blade Runner, Elysium and Independence Day, with a meditative Asian setting and a completely uninteresting script and characters. It's a huge shame. The Creator demands big emotions from the viewer, but is unable to offer adequate material to make them happen. That said, the technical aspects are top-notch and the plot premise itself – the clash between A.I. and humans – is very timely and interesting. Untapped potential and Clair de Lune certainly doesn't save it. ()

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POMO 

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English The Creator is a surprisingly average sci-fi flick that neither draws in nor surprises the viewer, let alone impress anyone with its production design. The film largely takes place in huts in Asian fields and, what’s more, in the dark. And when it comes to the futuristic city…well, that looks exactly like Blade Runner. And the heavy machines plowing through the jungle look exactly like something out of a Cameron movie. Another problem is John David Washington and his limited abilities as an actor – it’s impossible to believe him either as a conscientious refugee on the side of the rebels or as a protector of children’s innocence. And the repetitive grieving for his former wife, which doesn’t even elicit any emotion, becomes annoying over time. The only acting element that brings a bit of life to this film is young Madeleine Yuna Voyles. Two and a half stars. ()

Marigold 

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English A film whose creators stutter, can’t remember the beginning of a sentence and constantly run the gamut from “original sci-fi” to clichés and desperate banalities that mask one thing: The Creator says nothing relevant about the phenomenon of AI, which is merely another spectacular decorative element in a film that’s completely dependent on design. Neither the plot nor the world of the film makes sense; given how much space The Creator has, it never creates a coherent and comprehensible world. By comparison, even the didactic Elysium comes across as an engrossing fictional world. Edwards’ directing tries to go in depth, but it rather unconvincingly jumps from details to the big picture, from the present to the past. Some of the actors’ lines really could have been written only by Chris Weitz... Washington plays an utterly two-dimensional character who, through his suffering, only reinforces the impression that The Creator demands grand emotions, to which he is absolutely not entitled. Instead, it has the same feelings of emptiness and lifelessness as Godzilla and Rogue One. ()

EvilPhoEniX 

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English Creator was supposed to be the sci-fi hit of the year, but the actual result was almost unwatchable, I suffered unbelievably. In short, Gareth Edwards made a film that, in its style, evoked the Star Wars I hated. I was kind of hoping it would be something along the lines of Independence Day, only with UFOs replaced by an artificial intelligence, but I was sorely mistaken. The film gave me the impression that with 40 minutes gone by, I still didn't know what was going on, there was no introduction to the characters or plot, just one scene after another, with zero viewer engagement. It's like putting episode 6 of a random series and trying to get my bearings on the plot. I was absolutely not entertained by Washington, and the rest of the characters didn't engage me either. The action was dull, I found it to be childish and unexciting. There’s nothing epic, no wow moment, no suspense or atmosphere, just something happening and I didn't really care by halfway through the film, I just wanted it to end. In the end I'm glad I didn't go to the cinema, I've never seen more boring action sci-fi. Disappointment of the year. 3/10. ()

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