Constantine

great future prospect in the field of the fantasy genre, but on the whole I found the film overwrought to the point of shame and also terribly uninteresting and slow. Maybe the fact that it's based on a comic book hurt it, because comic book movies have a specific order and attitude that didn't fit this story for me at all. Or maybe it's because I'm not a true connoisseur, as POMO points out in his review, and I wasn’t able to appreciate the film enough the first time. I think the latter option is the more likely :) (06/10/2012)

Cold-blooded Reeves as a savior, who perhaps surpasses even Nea with his charisma, as a hero who is not ashamed to flick his last cigarette in his own blood, and as a tough guy who sends all demons, including Satan, somewhere nice and fast with every gesture. And all the infernal supernaturalism in the inquisitive spirit of an authentic detective story, as no one has tried in the comic genre before. (30/04/2006)

Constantine is one of those films that you might not fully get into the first time around, but you’ll enjoy it all the more the second time. It draws us into its own world straddling the line between reality and fiction, combined with serious questions of religion from our everyday lives. It is distinctive and intelligent as it cleverly deals with some relatively crazy subject matter. The film’s visual appeal never slides into self-indulgence, the characters are well developed and the actors do a very respectable job. Constantine is not entirely for mainstream viewers, but rather a notable curiosity for connoisseurs. One could almost call it a “big-budget underground” flick. (14/04/2005)

A conman, a joker, a thief, a magician... Well, simply John Constantine. An Englishman from Liverpool, a blue-eyed, cynical, amoral, scruffy-faced blond who is forever shrouded in a cloud of cigarette smoke and, in a mysterious English fog, solves mysterious cases in which he relies on his wits rather than weapons to outsmart (or cheat) almost everyone, from ordinary mortals to the bigwigs of hell. None of the above, however, can be found in this movie adaptation, not even a hint of it. Not in terms of the look or behavior of the main hero, or the location, or the plot, or the action, or anything. And yet that doesn't mean Constantine is a bad movie; it’s not - it's just a bad adaptation. But damn it, of all the "CGI action comic book movies" it is, even years later, one of the best. Everything here is as it should be with a good popcorn movie; it just doesn't have anything of what a good adaptation of “Hellblazer" is supposed to contain. (01/06/2012)

Forget about Max von Sydow, here comes the coolest exorcist to ever grace the screen. The digital beasts bothered me the least of all (and they are not overabundant, as others have mentioned), on the contrary, I enjoyed the intriguing plot, the overflowing charisma of the great Reeves, the beauty of my sex idol Rachel Weisz, and several visually memorable scenes. And the last twenty minutes, with a clever and witty twist and the most stylish Lucifer in years (Stormare really is the devil), make Constantine a truly outstanding film. 4 1/2 *. Oh, and don't smoke or you'll go to hell. (27/06/2005)