Plots(1)
Marisa Padrón, the star of the Canarian film La hija del mestre, released in 1928, was linked to Gran Canaria’s socio-cultural life for several years until she became a recluse after the Spanish civil war. Using unique archive material, the documentary also explores female painters, writers and editors of a magazine that made the most of the narrow slot women were given on the island. (Las Palmas de Gran Canaria International Film Festival)
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