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Boston, Massachusetts. Home of clam chowder, the Red Sox and Harvard. Home, too, to some of the roughest, toughest criminals ever to walk the streets. When the bungling McManus brothers, Conner (Sean Patrick Flanery) and Murphy (Norman Reedus), inadvertently end up taking out a pair of Russian Mafiosi, they realise they've found their calling and embark on a mission to cleanse their city of criminals, inspired by the tactics of on-screen vigilantes like Clint Eastwood and Charles Bronson. But their vigilante antics soon attract the attention of Paul Smecker (Willem Dafoe), an FBI agent with his own unique approach to fighting crime, setting the stage for an epic confrontation that will redefine the words truth and justice. (Arrow Films)

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Reviews (9)

kaylin 

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English Well, I was flabbergasted. This isn't just any ordinary crime/thriller, this is a proper gritty film about two brothers who decide to take justice into their own hands as two saints who are chosen to rid the world of filth. There's also the great Willem Dafoe, who is breathtaking as the policeman. A big surprise! ()

Othello 

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English All things considered, the film fell far short of my expectations. I was expecting more gore, more violence, more action. The film practically works in that vein all the time. The characters don't spare the macho bullshit about exterminating the mafia and how they’re not messing around, and there are all of three such scenes. Likewise, when the bad guys pick up some uber-slasher from the prison to rip him one, the viewer is in for a hell of a shootout. And yet this takes place in such a way that the three characters are unable to properly shoot the opponent standing in front of them, who in turn is unable to take them down. In addition, the story is very strange, with a few absolutely incomprehensible interjections (Dafoe like fuck) and so on. Fortunately, the first half contains quite a few good lines, and Willie is really pouring it on. Otherwise, wasted potential. ()

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novoten 

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English The story may limp along, the supporting characters can easily be confused with little inattention, and I still haven't deciphered the final message after years (Satire? Warning? Both?), but I don't mind. Symphony of blood, action, and slow-motion shots contains almost everything a genre fan could wish for and it pleasantly engages the viewer throughout. When I add Dafoe's eccentric exhibition, any negative aspects are much harder to find. ()

3DD!3 

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English An inventive screenplay and direction from Duffy (the ingeniously written scene with the reconstruction of the shoot-out) that any would-be action director would have been proud of. Excellent acting performances both by the main two or the directing Willem Dafoe give the movie an inimitable atmosphere. I hope that Troy Duffy gets enough dough for part two so that the Saints can pull out all the stops again. And shepherds we shall be, for Thee, my Lord, for Thee. Power hath descended forth from Thy hand, that our feet may swiftly carry out Thy command. So we shall flow a river forth to Thee, and teeming with souls shall it ever be. In nomine Patris. Et Filii. Et Spiritus Sancti. ()

Lima 

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English Tarantino's poetics, a lot of violence peppered with hyperbole in places, "fuck" following every other word, brisk direction by Duffy with a few visual flourishes that erase the handicap of the basic script and the low budget. But I also have to partially agree with betelgeus, I am slowly getting tired of the Taratino clones. Not everyone can combine violence with absurd humour as well as Tarantino or Guy Ritchie. Duffy has only a few bright moments (especially the scene with the unfortunate butchering of the cat). PS: On the other hand, Dafoe in the role of a genius detective is brilliant! ()

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