The Fall Guy

If you're going to make an unpretentious action comedy, this is how you do it. Putting aside the most questionable thing – the crime plot at the heart of the film is very simple and silly, but it's not really the point, the whole thing is pulled along by both the action-packed stunt attractions, but mostly by the charisma of the two leads. Ryan Gosling and Emily Blunt work great together, they have visible chemistry and their verbal banter at times almost makes you think of classic screwball romantic comedies. It's actually a nice love letter from Drew Pearce and David Leitch to all the stuntmen, the "invisible" crew members and filmmaking in general, and the idyllic romanticization of the whole creative process without a single hint of cynicism works very well for the audience. (26/04/2024)

The Fall Guy is pure cinematic entertainment. The concept is based on the eponymous 80s series, so today's film nostalgically nods to the aesthetics of that time. The film within the film that the crew is shooting seems straight out of the era's sci-fi Metalstorm: The Destruction of Jared-Syn. Nonetheless, today's experience richly benefits from the entire mixture, offering a kind backstage glimpse, the hyped charisma of Ryan Gosling (seriously, who has a bigger sexy credit today, Ryan or Jason Momoa?), and an insider's view of formal jokes, where even editing, montage, and the whole mise-en-scène react to pop culture references in the dialogue. For cinephiles, it's a fully satisfying experience, but even those viewers who don't catch half of the references can still enjoy it. (01/05/2024)

 The Fall Guy has a bit of a slow and slapdash start, but from Colt's return to the set, the film jumps into a brisk wave of action that isn't slowed down even by the closing credits. David Leitch mixes action comedy with romance and crime in a likeable way, with all the genre levels working well together. I've always liked Emily Blunt, and Ryan Gosling is definitely more suited to the distressed stubble than Ken's face. I also liked how the film pays homage to the stunt craft and all the "no-names" who risk their lives so that "famous" stars can shine. Last but not least, I must not forget to mention the excellent parody of the space opera genre and the eye-rolling, or rather humming, of the "dune saga". (17/05/2024)

Stuntman Ryan Gosling must find a lost movie star in order to save the film of his beloved Emily Blunt. And for her, he'll go through hell. David Leitch delivers an entertaining tribute to the stunt craft and all those who practice it. He combines great action with surprisingly even better romance, a nice bit of wit and humor, and the obvious joy of goofing around on set with the friends he's spent his entire career with. And it's great to watch. (30/04/2024)

A tribute to a difficult profession, which it's a shame doesn't have its own category at the Oscars. Fall Guy is certainly not popcorn for everyone, which is why it will have a difficult time with high box office and general acceptance. For the average viewer, it's far too loaded with references, innuendo and props that not everyone will register. But for film buffs, it's great fanservice. Ryan Gosling confirms that he's great at the role of likable muscular cool good guys, and it suits him much more than the roles of tough agents in crap like The Gray Man. The only thing I found downright annoying is the weird "just to make something happen" style storyline, which pretty much spoils the overall look and dynamic of the film. The heart, on the other hand, pulses as hard as it can and the central couple is cute. (31/05/2024)