Restore Point

I told myself I wouldn't give Restore Point a thumbs up just because it's a Czech film, and so I'm giving it an average rating, but I also encourage everyone to go to the cinema and support a commendably different domestic film that we don't have to be ashamed of. The main problem with Restore Point, in my opinion, is the story, which piles one tired cliché on top of another, is either overwrought or, on the contrary, raises unnecessary questions... And it lasts almost two hours, which is really too much. Although I wouldn't go see it again, I certainly don't regret the money I spent on the ticket and I look forward to seeing what Robert Hloz makes next. (23/09/2023)

In terms of production design, special effects and the depiction of the atmosphere and functioning of its world, Restore Point is definitely one of the most remarkable achievements in the field of Czech cinema in recent years. It's a shame, however, that all this is undermined by a rather generic plot and a half-baked screenplay, which, when you strip away the visual trappings, offers nothing more than a banal TV-style crime drama, plus variations on motifs you've seen in other, often better films (Minority Report comes to mind). I appreciate the effort, but it could have been much more polished. [KVIFF 2023] (08/07/2023)

Restore Point is a bold and ambitious venture in Czech cinema, and I am glad that they embarked on it – even though the plot is a compilation of older foreign pieces. With its premise, Robert Hloz's film evoked projects like Black Mirror or Minority Report, while also having a strong cyberpunk feel. Despite these obvious influences, I enjoyed the film immensely in the cinema. Andrea Mohylová, unknown to me, played the main role perfectly, and Jan Vlasák and Milan Ondrík were the most appealing among the other characters. I wish Czechia made more films like this would be made regularly (once every few years), which could stand comparison with foreign productions. (01/10/2023)

The very first shot with Zimmer-esque music is stunning, taking into account that this is a Czech film. The monumental exterior sets with great design, including the cars, holograms and digital images, are world-class in Restore Point. With respect to the plot, it wouldn’t matter that it is merely a crime movie in a sci-fi setting. So was Minority Report. The film’s handicap lies in the attempt to keep the viewer in constant suspense by incessantly and often needlessly conveying the plot through dialogue, dialogue and more dialogue. Without being drawn into the story in an original and more impactful way, I was unwilling (and, at a night-time festival screening after a full day, unable) to take it all in. Next time, the filmmakers should come up with a more original subject, cut down on the chatter and balance the slower passages with getting to know the characters, and the result will be great. Like a movie franchise with the same female detective. She is well cast, easy on the eyes and her character is well suited to further development. [Karlovy Vary International Film Festival] (06/07/2023)

A random collection of futuristic wallpapers surrounded by robotic characters, wooden dialogue and an utterly stupid plot devoid of psychology and a basic characterization of the world. In terms of narrative, Restore Point is on the level of a made-for-TV detective movie. The emphasis on design elevates it slightly, but this post-autopsy Blade Runner and post-trepanation Minority Report can’t be taken too seriously. (04/07/2023)