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The terror continues as Ripley (Sigourney Weaver) returns to Earth after drifting through space in hypersleep for 57 years. Although her story about the alien encounter is met with skepticism, she agrees to accompany a team of high-tech marines back to LV-246... and this time it’s war. (20th Century Fox Home Entertainment)

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Marigold 

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English A really good action film, even one of the best. It has perfect craftsmanship, but compared to the original Alien, it's just too uniform and predictable. Cameron is undoubtedly a great fachman, but one sees through Aliens very quickly. Still, some of the ideas are unforgettable (for example, cameras in the soldiers' helmets). High above standard in the genre. And after seeing the SE I can only add another star. The excellent atmosphere is guaranteed by both the added additions (e.g. Newt and Ripley's deep relationship is much more logical) and the excellent THX packaging... I enjoyed the atmosphere almost as intensely as I did the first time. :o) Light predictability remained... I'm not so sure about the uniformity anymore. Of course, from a filmmaking point of view, Cameron did not achieve Scott's vision, but one cannot ignore the fact that his visions predetermined the form of science fiction not only in film. ()

novoten 

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English Skipping the seemingly unattainably high bar was an impossible task, but James Cameron did what he could. Ripley still works and even Newt, Hicks, or Bishop quickly grew close to my heart. However, I only started to like Aliens after the extended version, which truly gives the right charge to the psychological background of the first half. Its contribution to the additional success with the audience also lies in the timeless action and breathtaking moments full of elegantly deadly villains. ()

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Isherwood 

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English James Cameron is a very wise and clever man. The way he was able to gracefully bridge Scott's horror film (the 57-year time gap, the nightmares, the colonization of the planet) to his own vision of an alien encounter is admirable. It’s an impressive action ride that is unrivaled across all weight categories. It’s built on ingenious editing, (now legendary) sound, and of course, a bunch of marines who, apart from an amazing arsenal, also spew a bunch of catchphrases that should be carved into the most expensive marble. This simply fascinates me even after more than twenty years. To this day I still wonder how something like this film could have ever been made... for me, this is James Cameron's best film and think what you will about it, but that's about all you can do. ()

Lima 

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English Cameron took it radically in his own way and plays on a rather belligerent string. Compared to the first film, there’s less atmosphere and mystery, but the suspense hasn't disappeared and James shows his immense talent and sense of perfectionism in his second big film (not counting Piranha...ahem.). ()

lamps 

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English Although it's out of place, I can't avoid the comparison; as far as I’m concerned, Aliens is more creative and entertaining than the first one. Cameron is amazing, he elevated an already perfect space survival story to the ultimate polished and incredibly balanced action flick. In the manner of the original, it’s almost heart-attack inducingly suspenseful (you almost can't breathe during the sequence before the first contact with the monsters), but at the same time it's adrenaline-fuelled and superbly choreographed terror for film and computer geeks (so it's quite timeless), and still a prime example of how to use film space with maximum efficiency and how to work with characters in an action story where most of them have to gradually disappear, inventing a variety of traps in line with keeping the pace and delaying the climax in favour of a moment of surprise to the point of being outrageously sexy and cool. An amazing Weaver and a brilliant Henriksen. Together with The Dark Knight and T2, the best sequel ever. ()

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