The Thing

Perhaps I’m overly sensitive to the genetic transformations of people in movies, but the first time I saw The Thing, when I was an eighth grader at elementary school, I couldn’t sleep all night and was sweating like I had a fever. It was a terrifying experience. I vowed to never watch another horror movie. However, that intense experience was also the reason that horror later became my favorite genre. The Thing has a unique atmosphere of isolation and despair, which is perfectly supported by Morricone’s gloomy music, timeless special effects and a wonderfully dark, pessimistic ending. It’s a precisely paced horror movie that gradually tightens the noose around your neck and it’s an existential downer almost from the start to finish, with some of the most terrifying horror scenes ever. (04/06/2002)

I don't like horror as a genre, but survival horrors are an honorable exception. And The Thing is almost a perfect representative, apart from the repulsive "gore" scenes, it contains something much more effective – a game with the psychology of the viewer. The principle of placing a group of characters in an isolated place (in this case, the white plains of Antarctica), making it impossible to escape (in this case, a massive storm) and exposing them to an enemy that can hide inside any of them is proven, but nowhere does it work as perfectly as in The Thing. The minimalist screenplay draws attention to the raw atmosphere, the replicas of the characters are more so purposeful, everything important can be seen and, above all, FELT. Something almost physically palpable comes out of The Thing - fear is not felt by artificial props, but by real experience. When the Thing appears, there is almost relief... Real fear is ignorance, insecurity. In short, this is how I imagine the perfect horror about surviving in extreme conditions. And the atmosphere of the polar base is so unique that The Thing probably won't be improved upon any time soon. (27/01/2004)

A horrifying parade of disgusting special effects with bodies disintegrating and mutating into hideous slimy creatures, the human head with spider legs is very cool. The chilling atmosphere of hopelessness and isolation perfectly underscores everything. We can only thank Carpenter for his bold directorial concept and the distribution company for having the courage to put this into wide distribution in its time. (07/07/2002)

I'll admit this one got me. As always, great atmosphere (I managed to nibble on the Encyclopedia of Fantastic Film while watching it), decent Morricone music, a pretty good Kurt Russell, really good visual effects for its time and above all a brilliant ending. I love this movie! (14/10/2002)

Carpenter's The Thing is, without question, the scariest sci-fi horror film of all time. An orgiastic atmospheric experience that cuts deep into your nervous system from the very opening moments, in an oppressive and bleak setting, with a cold and unbearably depressing directorial rhythm and accompanied by a chilling soundtrack or physically disgusting (or cinematically beautiful) gore effects, only to place a devastating charge at the end and scatter even the last vestige of hope and light. A brilliant, incredibly compact film that never wavers, even with a single shot or spoken line, from its predetermined, most beautiful and purest imaginable genre path... One of those very few films I really never get tired of. 100% (30/04/2011)