The Thing

Perhaps I’m overly sensitive to the genetic transformations of people in movies, but the first time I saw The Thing, when I was an eighth grader at elementary school, I couldn’t sleep all night and was sweating like I had a fever. It was a terrifying experience. I vowed to never watch another horror movie. However, that intense experience was also the reason that horror later became my favorite genre. The Thing has a unique atmosphere of isolation and despair, which is perfectly supported by Morricone’s gloomy music, timeless special effects and a wonderfully dark, pessimistic ending. It’s a precisely paced horror movie that gradually tightens the noose around your neck and it’s an existential downer almost from the start to finish, with some of the most terrifying horror scenes ever. (04/06/2002)

They’re not who they are... Thanks to the tense atmosphere and awesome psychological aspect, this is on its way to being perfect. But unfortunately Carpenter pulls the “monsters" out of his sleeve too early. I would have preferred just a sense of unseen evil, especially when the monsters turn out to be unfrightening stuffed toys. The scenes that get by without them and rely purely on atmosphere and actors (or dogs) get full marks. If it had lasted out longer without those DNA blood clots, then... But enough ifs (but if somebody were interested how awesome it could have been, take a look at an episode from season one of The X-Files titled Ice which pays tribute to The Thing). But I still, I’d really like to see a prequel of this, showing the events at the Norwegian base. So, just watch this movie, it’s the right Thing to do… (09/04/2005)

Carpenter's The Thing is, without question, the scariest sci-fi horror film of all time. An orgiastic atmospheric experience that cuts deep into your nervous system from the very opening moments, in an oppressive and bleak setting, with a cold and unbearably depressing directorial rhythm and accompanied by a chilling soundtrack or physically disgusting (or cinematically beautiful) gore effects, only to place a devastating charge at the end and scatter even the last vestige of hope and light. A brilliant, incredibly compact film that never wavers, even with a single shot or spoken line, from its predetermined, most beautiful and purest imaginable genre path... One of those very few films I really never get tired of. 100% (30/04/2011)

I'll admit this one got me. As always, great atmosphere (I managed to nibble on the Encyclopedia of Fantastic Film while watching it), decent Morricone music, a pretty good Kurt Russell, really good visual effects for its time and above all a brilliant ending. I love this movie! (14/10/2002)

A horrifying parade of disgusting special effects with bodies disintegrating and mutating into hideous slimy creatures, the human head with spider legs is very cool. The chilling atmosphere of hopelessness and isolation perfectly underscores everything. We can only thank Carpenter for his bold directorial concept and the distribution company for having the courage to put this into wide distribution in its time. (07/07/2002)