The Chronicles of Riddick

Space fighters swoop in and then an aerial dogfight over the city rooftops. The destruction of entire planets. The murder of an entire airliner by one man using only two knives. An underground prison on a planet that's about to be hit by a wave of fire. Assholes versus bastards. Killing with a soup mug. Hellhounds. A shootout in a post-industrial setting. The hero's escape from the crash of a giant transport ship. An all-conquering race. A contest for the best killer. Blades on boots. Vin Diesel... (12/08/2004)

I have only seen the first 13 minutes so far of Pitch Black, the film that The Chronicles of Riddick emerged from, after which I had to retreat to a small room for a long time due to certain urgent reasons, where everyone goes alone... Nevertheless, the beginning confirmed my belief that it was a typical B-movie with a very low budget. Thanks to its commercial success, however, the production studio decided to pour in some dollars and planned to shoot several sequels. However, the reception of The Chronicles of Riddick by the fans was very cold and the film became a painful flop, which probably meant the end for any potential future installments. The budget is noticeable in the film, the special effects shots are comparable to successful sci-fi films of recent years, the colors are compositionally coordinated, and Vin Diesel delivers his rough catchphrases, but... It is filmed without personal passion, the script is uneven, the characters are mostly flat and their potential is wasted. Moreover, purely personally, I am not fond of these fantasies with pompous mythology that disguise themselves as sci-fi. Overall impression: 50%. (31/12/2007)

Excellent Diesel, some decent ideas and a few solid scenes. Against that, an obvious attempt at a grand Star Wars-style saga, which the filmmakers failed badly. Especially the attempts to create a mythology of the universe are at times downright embarrassing; they unnecessarily relegate the film to the rank of guilty pleasure. (07/08/2004)

David Twohy does an outstanding job with this big-budget production – the film is visually captivating, the camerawork is excellent and the compositions are worked out in detail. It’s obvious that it cost a lot to make this movie. However, the characters and the story are not up to par. The simplicity and clichéd nature of the plot evoke comparisons to Soldier rather than Pitch Black. (08/09/2004)

From average sci-fi, it became a classic American blockbuster with dodgy mythology, packed with visual effects literally in every second, though it doesn't feel so cluttered, unlike Van Helsing, for example. Vin Diesel may have charisma, but that is not enough for a better rating. Also, the action is almost always a sequence of confusingly edited shots without a hint of taste or visual sensitivity. (30/08/2004)