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John Morlar (Richard Burton), a well-known novelist, is savagely attached in his London flat. Barely alive, he is taken to hospital. Detective Brunel (Lino Ventura) is assigned to the case. He comes across Morlar's journal, which leads him to a mysterious women named Zonfeld (Lee Remick) who is Morlar's doctor. Zonfeld discloses that her patient is obsessed. He feels he bears an awesome telekinetic power - the power to "will" destruction and death. He can make airplanes crash, buildings crumble, start raging fires and unleash mighty floods. He believes he possesses the gift of evil, and dangerously demonstrates his power. What at first seems preposterous, soon becomes sickeningly real. Morlar is able to wreak havoc at will. Brunel desperately wants to stop the next tragedy, but can he kill this man? If released from his mortal confines, how far can the power of his mind roam? (Network)

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Reviews (8)

Goldbeater 

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English This movie is pleasantly sinister and mysterious at the start, and then, towards the end it is very chilling and pessimistic. Richard Burton and Lino Ventura are both great and propel this forward, and they pretty much do not share any dialog on screen in the entire movie. While watching this, it is quite possible to predict where the whole thing is heading, but the entire conclusion is the most sound, astonishing, and surprising point of the movie. For the overall thickly horror atmosphere, I felt like putting it on again the day after, so why not incline towards giving this a higher rating? ()

3DD!3 

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English Old school. When you show a statue in the first scene, it’s obvious that in the next scene someone is going to get hit over the head with it. A horrifying jigsaw puzzle where each piece has its place and the resulting picture of ruin is soul-destroying. Richard Burton’s presence gives the key scenes the right timbre, making revelation of the victim’s past all the more powerful. Lino Ventura came across a little like a French De Niro (maybe because of the dubbing) and the role of Brunel fitted him like a glove. Most of today’s would-be mystery hybrids come nowhere near it. This was superb. ()

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lamps 

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English A hugely impressive mystery that relies not only on excellent performances and music, but more importantly on thoughtful direction that gradually builds up to a chilling finale that slams the door of accumulated depression and distress in your face, leaving the freaked-out viewer in the same room with characters. The clever structure of the plot and the gradual revelation and explanation of various motifs leaves no time to breathe thanks to masterfully executed time transitions, and Jack Gold manages to keep his characteristic authorial signature despite the constant work with expectations and genre duality. Plus Richard Burton in perhaps his most iconic role, and certainly his scariest. 90% ()

D.Moore 

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English After a second viewing, it definitely deserves five stars. The Medusa Touch is an incredibly escalating film that creeps stealthily from the chilling beginning, hissing like a snake, occasionally sticking out its imaginary horns (yes, I know a snake doesn't have horns), but only attacking you with all its force in the final 20 minutes. The thrilling experience of Burton's and Ventura's performance is underlined by the essentially brilliant music, Gold's direction caters to it all and makes it TRULY one of the most thrilling films of all time. ()

Isherwood 

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English This highly intriguing genre piece, which tightly grips a crime and supernatural thriller in its pincers, is based mainly on the impressive work of an old-school French detective who uses the long conversation method to unravel the mystery of the "evil gaze," only to have his own pragmatism increasingly undermined. The anticipation of upcoming events, the excellent Lino Ventura, the demonic Richard Burton, the chilling atmosphere, and the unreal finale make this slightly forgotten work an incredible film that will definitely make you have trouble falling asleep. 4 ½. ()

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