Event Horizon

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Seven years ago, pioneering research spacecraft "Event Horizon" mysteriously vanished without a trace on its maiden voyage. But then, in the darkness of deep space, a persistent signal prompts a rescue crew to wing its way through the galaxy on a bold rescue mission. What they uncover is an unimaginable interstellar horror that will test the entire team's sanity and souls. (Paramount Home Entertainment)

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POMO 

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English The density of the claustrophobic atmosphere and the psychedelic dread of the first two-thirds of this film are among the best you’ll find in the sci-fi horror genre, which of course is ruled by Alien. The scenes with Sam Neill wandering through the narrow green tunnels are brilliant, as are a lot of the other visual tricks, including the opening circular “vertigo shot” (I saw it on the big screen and got seriously dizzy). Unfortunately, the film later becomes an action exhibition of screenwriting trash, like something from Paul W.S. Anderson. But I so fondly recall the first two-thirds that I'm sticking with by my four-star rating. ()

kaylin 

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English Paul W. S. Anderson embarked on a path of action B movies and in some cases genuine oddities, such as "The Three Musketeers". However, with the film "Event Horizon" he created one of the best science-fiction horror films, where neither genre predominates and the film is a perfect combination of both. It is a sci-fi that is at least interesting for fans of this genre, but it is also a horror that will not disappoint any horror fan, because the atmosphere is simply there. ()

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Lima 

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English It's a very bizarre disgusting thing, which is brilliantly filmed and probably won't make you feel very well. There aren't many films like this. I applaud Paul Anderson for always pushing the envelope hard, regardless of audience reaction, and not giving a damn about disgusting the average viewer. I wonder what the original unedited version, which is 40 minutes longer, looked like. It must have been cool. ()

3DD!3 

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English The stormy atmosphere of Neptune and a space ship spewed from the depths of hell didn’t give me a moment of rest for the whole 92 minutes. Anderson can do it if he wants (the faultless dizzy beginning) and if it weren’t for the slightly over the top ending I would easily give it 5*. But now I can only remember the perfect build up of atmosphere in the first two thirds, the superb acting performances of Laurence Fishburne and Sam Neill, the very decent effects and the idea which, if it had been developed right could have satisfied my dark side. ()

Kaka 

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English It starts as a smart and atmospherically charged film, but it gradually becomes poorly staged horror without a hint of sense or logic. Laurence Fishburne is flawless as the captain, and the other crew members are also decent. The futuristic-looking sets will please every fan of dark sci-fi, but the closer the film gets to the end, the more you shake your head. There is literally no twist, blood pours like crazy – and completely unnecessarily – and all the carefully built atmosphere of mystery vanishes. Skip half an hour, replace it with a meaningful ending and maybe a bit of unpolopathically explained philosophy and it would be a very decent addition to the scifi genre. Like this, it's just a controversial bloodbath. ()

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