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Pablo and his teenage sister, Apolline, have grown up together playing Darknoon, an online heroic fantasy video game. Darknoon announces the imminent disappearance of its universe, while Pablo's relationship with a man called Night takes on increasing importance, and not just because they make and deal party drugs together. Part-thriller, part-romance, between digital and desiring bodies, a film about the loss of childhood innocence: Ready Player Love. (Cannes Film Festival)

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POMO 

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English A crime film in a European setting, like Refn‘s Pusher, but with younger gangsters, a gay relationship between the main male characters and the sister of one of them, who serves as our guide through the film. The linking of the film to an RPG, which provides an alternative life for her and her brother, is surprisingly conceptual and gives the film a distinctive dimension and sense of drive. The armed heroine in the game is the sister’s alter ego and fills out the depiction of her real-life emotional states. The frequent intercutting of the game with the dramatic action of the film is also a parallel to the perception of reality through the eyes of teenagers who are not fully aware of the seriousness of their criminal behavior (producing and selling drugs). The content of the film is indicative of the youthful creativity of screenwriter and director Caroline Poggi, next to which her imaginativeness and feel for taking an unusual approach to storytelling stand out even more. [Cannes FF] ()

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