The Inheritance

The cult around this film completely passed me by from the beginning. I consider it one of Chytilová's weaker films, with a poorly written script, and the majority of enthusiastic admirers do not perceive it as a morality tale, but rather admire the protagonist's coarseness and "bravado" on a superficial level. I admire Bolka Polívka for completely different roles. This humor was more from the basement, and I actually find the character repulsive. Overall impression: 40%. (17/06/2006)

One of the best so-called post-revolutionary Czech films. Like The Firemen's Ball, I had to laugh at The Inheritance from beginning to end. I laughingly resist thinking for two hours about how timely and, yes, harshly true this film is. Each of us knows someone like Bohuš... And many people often are him. (19/11/2009)

That's weird, but it's the best in the "capitalist-privatization comedy" genre. Chytilová may have lost her mind and taste in the 1990s, but Bolek Polívka in the role of Bohuš has proper style and persuasiveness, as does his redneck group (especially the unique grandfather Kroner). Irene doesn't deny that she's not an actress, but fuck, but that's what The Inheritance is all about. It's definitely not a good film, but with hindsight it has its charm and undeniable truthfulness. Chytilová does know how to do that. It's a testament to a certain time with all the smudges and flaws in beauty, but it is watchable... And those catchphrases are also worth storing in memory, although some dialogues are really... redneck. (12/02/2004)

Even though it may seem like a film mainly about humor and pranks at first glance, after years one realizes that it is a very good social critique, which is usually laughed at by those who are criticized because they probably don't even understand it. Bolek Polívka is truly incredible in his role, and Chytilová holds the directorial reins so firmly that it's unbelievable. Every scene has a sense of the overall impression. (30/06/2015)

What can I add about this? Polívka doesn't even have to act much, because this is exactly how he would have turned out if he had never taken up acting, Donutil is unforgettable as always even in a supporting role, and Věra Chytilová conducts the film of her life with amazing fluency and, especially, with a punch. All the jokes, innuendos and even Bohouš's moral lessons, however crude and far-fetched, have, hand in hand with a heavily laden glass of plum brandy, incredible power and have rightly become a firm part of our culture. I doubt I’ll ever watch it again, but I can be sure that its legacy is always guaranteed to lift my spirits. (15/08/2012)