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Club fighter Rocky Balboa (Sylvester Stallone) has hit rock bottom. Having turned thirty, his boxing career is virtually over and he now makes a living collecting payments for a loan shark. Things start to look up when he begins dating Adrian (Talia Shire), sister of his friend Paulie (Burt Young). However, when world heavyweight champion Apollo Creed (Carl Weathers) decides to take on a 'nobody' in his title fight, Rocky finds himself chosen. Encouraged by his coach, Mickey (Burgess Meredith), he begins training for the big fight - much to Adrian's disapproval. (20th Century Fox Home Entertainment)

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Reviews (11)

Isherwood 

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English The naive story of the great American dream coming true is not Rocky's main issue. On the contrary, despite its simplicity, it is very believable. The problem lies in the overall execution, starting with the somewhat lacking writing skills of Sylvester Stallone and continuing through the direction to the acting performances. The first half is absolutely (!) unnecessary, the attempt to delve into the psychology of the characters is wasted due to the lack of directorial innovation, and boredom is inevitable, leading to yawning. In the second half, the plot and pace pick up towards a more promising potential, which, however, is again squandered due to the constant repetition of lines about a little insignificant man who was offered a life-changing opportunity (it only needed to be said once!). The final match doesn't surprise in any way, not only with its outcome but also with the dry impression of the used form. I would like to nostalgically close my eyes, but for some reason, I just can't do it. ()

D.Moore 

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English I've always liked Rocky, and every time I see it again, I'm amazed. It will probably never cease to amaze me how natural the whole film feels, how it does without a single cliché and how likeable its main character is. And best of all, it owes it all to Sylvester Stallone, actor, writer and fight choreographer. I'm not usually interested in boxing unless there's an interesting story behind the violence. But Rocky (like Raging Bull or Somebody Up There Likes Me) has just such a story. ()

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POMO 

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English This film about the American dream is all the more natural, convincing and powerful the less it tries to be spectacular and cater to the audience at all costs. It is the humble inception of a legend, not yet aware of its future historical importance. Rocky is the purest film definition of Sylvester Stallone, both as an actor and as a person. ()

Lima 

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English Miracles happen sometimes. The boxer Rocky lasted all rounds undefeated in his fight with the heavyweight champion of the world, and this B-movie, from which nobody expected anything, went for the highest standard and received two major Oscars. And a third miracle on top of that: the until then unknown Sly Stallone received two Oscar nominations, including the script, full of great dialogue, which he wrote in three days. Sly lived the American dream and rose to stardom. ()

Kaka 

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English There is strength in simplicity. A still completely unknown Sylvester Stallone triumphed with a magnificently written script, where one clever dialogue follows another, and he further enriched it with the so-called wooden acting, which has been so criticised. But let's be honest, can you imagine someone else under the name Rocky? America in the 1970s is truly timeless. ()

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