Harry Potter and the Chamber of Secrets

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Cars fly, trees fight back and a mysterious elf comes to warn Harry Potter at the start of the second year of his amazing journey into the world of wizardry. This year at Hogwarts, spiders talk, letters scold and Harry’s own unsettling ability to speak to snakes turns his friends against him. From dueling clubs to rogue Bludgers, it’s a year of adventure and danger when bloody writing on a wall announces: The Chamber of Secrets has been opened. To save Hogwarts will require all of Harry, Ron and Hermione’s magical abilities and courage in this spellbinding adaptation of J.K. Rowling’s second book. Get ready to be amused and petrified as Harry Potter shows he’s more than a wizard, he’s a hero! (Warner Bros. Home Entertainment)

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novoten 

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English Columbus took on a task of gigantic proportions. Not only did he have to follow up on the success of the first film without repeating it, but he also had to adapt a book that holds the most ambiguous position in the entire series. It serves only to bring the reader (in this case, the viewer) closer to the characters and to create a strong connection with them for the future installments. The Philosopher's Stone introduced the heroes, The Chamber of Secrets and The Prisoner of Azkaban bring crucial parts of the mythology and key chapters of the entire history of the wizarding world. That's why I admire the director for handling everything with grace, even though he basically allowed the book to be almost entirely re-written into a screenplay without rushing it. With all the scenes that are typical for the Potter series and that may seem unnecessarily drawn-out to regular viewers, such as the Dursleys' introduction or Dobby's repeated hysterics, many creators would have stumbled and ended up with an unwatchable bore. Chris Columbus has heard countless complaints after the release of the film, calling him a mere people-pleaser who made a harmless family spectacle without atmosphere, but in reality, he created two films that the series desperately needed and laid the groundwork for Cuaron and others to experiment as they pleased. ()

DaViD´82 

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English While sticking to his usual understated style, this time Columbus has a tremendous foothold in the original book which is one of the best (and best that works independently) of the series. Moreover, he “darkened" the atmosphere, and thanks to the well-cast duo of Branagh/Isaacs, he manages to partially correct the impression of the central trio which the camera closely follows the whole time, and who are still more like cute mannequins than real lead actors. It is still a mere illustration of the original, but this time at least a well made illustration which the extended version does no harm to (but nor does it add anything positive). Which is not to say I can't imagine it being cut down significantly. And even though it worked out for Columbus this time, thanks god for Cuarón next time! OST score: 3/5 ()

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POMO 

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English At 160 minutes, Harry Potter and the Chamber of Secrets is just too long. It’s brilliantly filmed, the characters haven’t lost any of their charm and the darker approach suits the film, but it still seems more routine and static. As a fan of J.K. Rowling, I was definitely excited to see it. But as an impartial viewer, I missed having a remote control with a rewind button in places. ()

kaylin 

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English The fairy-tale-like look of the first two films suits me, just as it suits me in the first two books. Such a form could be seen in a modern fairy tale, which "Harry Potter" actually was before it turned into a thriller for teenagers, which it actually is. Chris Columbus doesn't surprise with anything, he does his thing, but it's enough. However, it is visible that for the following films, this was a completely different starting point and a lot has changed since then. ()

lamps 

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English Still too long and conceptually the same as the first one, but this time properly atmospheric and more original in the staging of the climactic scenes (the passage with the giant spiders is simply amazing, likewise, for its time, the fight with the basilisk). Plus, well-developed characters and a very skilled straddling between a very dark film and an innocent fairy tale for children. Of course, needless to say, had it stayed exclusively on the dark side, it would have been awesome, but that’s understandably impossible... 80% ()

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