The Crow

Visually more than perfect, with excellent action scenes, music also very good. Alex Proyas has turned The Crow into a visual/filmmaking gem that is really worth seeing. The exquisitely crafted final confrontation in the church only adds to the overall impression, which is clearly five stars. Even if it was just for the incredible visual banquet! (11/07/2009)

I like films with a dark atmosphere. The Crow has plenty of it and it is as seductively dark and gloomy as the comic book itself. Brandon is brilliant (what a great loss) and Wincott is a villain as it should be. Together with X-Men the best comic-book adaptation so far. (04/07/2002)

Alex Proyas proved that a good comic book adaptation can be made without elaborate character psychology or bombastic digital effects. The straightforward plot about posthumous revenge, presented on a simple formal level, delights in its play of lights and shadows, night darkness, and persistent rain. It takes a backseat, which doesn't really matter, and the only way to win over the viewer's favor remains the atmosphere. In addition to the aforementioned, the expertly directed camera work by Dariusz Wolski and the minimal yet rhythmic and captivating musical accompaniment by Graeme Revell contributed significantly. As a whole, it feels rather depressing without even realizing the tragic circumstances of the filming (28/09/2005)

The movie that launched Proyas’ successful career and could have done the same for Brandon Lee. A well-made adaptation of a comic book (better than original) with a neogothic, noirish atmosphere. Then there is Brandon, who gave the character of Eric Draven an unbelievably likeable, gloomy charisma. Even though the movie excels with flawless visual interpretation and foreshadowed Proyas’ “dark visual feeling", I cant get rid of the feeling that if it were black and white, it would be actually even better, although not as attractive. (21/04/2022)

I would like to point out that I usually have no problems with the display of violence, but The Crow is one of those rare cases that go beyond that. It's not so much about the violence itself, but rather about the way the director handles it and how he uses it. The Crow is an instinctive film built on evoking simple emotions and powerful aggressive images. It is an exaggerated and exemplary schematic journey for revenge, where it is perhaps unsettling how easily it leads the viewer right to where it wants them. I do not like this film. Its cheap symbolism infuriates me, there's the fact that it is not ashamed to be stupid, and perhaps what bothers me most is that it works for the audience. Sophistication, multilayeredness, and playfulness will not be found in The Crow. However, it does not deserve to be discarded, as Alex Proyas has mastered his craft well and he was able to capitalize on his experience in shooting commercials and music videos. Overall impression: 25%. (15/12/2020)