Rambo: First Blood Part II

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John Rambo is removed from prison by his former superior, Colonel Samuel Troutman, for a top-secret operation to bring back POW's still held in Vietnam. Rambo's assignment is to only take pictures of where the POWs are being held, but Rambo wants to get the POWs out of Vietnam. Teamed up with female Vietnamese freedom fighter Co Bao, Rambo embarks on a mission to rescue the POWs, who are being held by sadistic Vietnamese Captain Vinh and his Russian comrade, Lieutenant Colonel Padovsky. Rambo falls in love with Co Bao, and when Co Bao is killed by Captain Vinh, Rambo wants revenge, so he starts killing every enemy in sight while still focusing on his intentions to rescue the POWs. There are also corrupt American officials involved in the mission, including Marshall Murdock, one of Rambo's superiors. (official distributor synopsis)

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Reviews (12)

gudaulin 

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English It's all here - action, corpses, Rambo's stone expressions, blood, of which there is much more than in the first one. Unfortunately, however, there is noticeably less quality filmmaking. The producers tested the audience's reaction with the first film and found that a significant part of moviegoers fall into the category of teenage boys, for whom this is simply enough. The film also had a strong propaganda dimension in the mid-80s, which today can only evoke an indulgent smile. Overall impression: 20%. ()

DaViD´82 

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English The change in style away from the low-key and raw part one is perhaps a little too extreme. John Rambo’s second battle for survival unfortunately degenerated into a pure B-grade action movie. Although the truth is it’s quite fun. Here in the Czech Republic, though, Rambo: First Blood Part II will more likely be remembered as one of the first VHS cult movies, rather than a movie known for its qualities. ()

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Remedy 

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English The second installment is clearly the most cerebral work about John Rambo. On the other hand, it is so beautifully crystal clear in its humor ("Rambo, you made good choice") that it has an irreplaceable place within the series. It's never going to be the best Rambo film (that's still the luxurious fourth Rambo for me), but the honestly acknowledged comedic parts and its indelible imprint on pop culture are what make the second one the second one. "What you choose to call ‘hell’, he calls home." ()

Marigold 

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English Rambo destroying computers with a shower of lead is one of the most beautiful mementos of the 1980s, as if Stallone was taking revenge on what would destroy his beloved genre. Paradoxically, in terms of psychology and ideas, the second film doesn't seem so far behind the (already quite retarded) first film, even though, instead of subjective nostalgia, programmable agitations are coming out of Rambo's mouth at the end. Cosmatos's film fits much more into the archetypes of the action 1980s and is irresistibly wooden and theatrical (or entertaining) in the most heated moments. The number of explosions is enormous, the pilot of the largest possible Soviet helicopter has not one red star on his helmet but two (so there is no confusion), and a POW with a machine gun in his hand, as if to remind the viewer of the beautiful ideological mishmash that ruled action Hollywood at the time. Can such a film not be loved even a little? ()

Kaka 

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English Not nearly as good as the first one, Rambo II is a typical example of the sequel syndrome: a bigger budget, more action, more visual effects, less story, less atmosphere. The beginning is still quite interesting, as it practically starts right where the first part ended, but then it goes downhill. ()

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