The Bourne Identity

A traditionally straightforward espionage ride in which director Doug Liman delivers several top-notch action sequences according to modern audience demands. However, the film also relies on a captivating plot that, compared to the original book, may come up short, but in the case of this film, I'm willing to tolerate it because of the brisk pace, which briefly eases in the second third but then picks up full speed again in the end and manages to engulf the viewer throughout the full two-hour runtime. The careful work with the camera, which perfectly captures the action scenes, and the use of a cold color filter that complements the slowly snowing Paris, along with the excellent musical accompaniment by John Powell, are just a few of the film's strengths. Not to mention the precise performances by the cast, where although a young Matt Damon might raise some eyebrows, his minimalist expressions suit the role perfectly. One minor criticism could be directed at the occasional "late" editing, which reveals the stuntmen "catching" falls. However, even after seeing the film more than ten times, it's impossible not to give The Bourne Identity a perfect review with a smile on my face. (21/01/2005)

Action movies aren't usually my cup of tea, but this one is really worth it. It primarily relies on a well-developed script that isn't aimed at viewers with the mentality of an overgrown ten-year-old, and on the unconventional, more civilian portrayal of the main character. Matt Damon fits perfectly in the role of the disoriented agent and is in excellent physical shape. The film maintains a high pace, sustained tension, and an atmosphere of unpredictability. After watching it a second time, I'm raising my rating to 90% and adding a fifth star. (18/05/2007)

In general terms it’s totally fine. It's got plenty of action, drama, and ambition. But what bothers me here is the rather unappealing atmosphere. It's like a mock-up or a set-up for something big that's not so big after all. I don't think Matt Damon was fully baked at that point. The same old pace can get boring after a while. 3.5 stars. (22/07/2011)

A lively spy thriller and, despite being the second adaptation (the first was a two-part adaptation with Richard Chamberlain), it has a certain charm. Certainly better than a lot of action/spy movies I have seen lately (and I’ve seen perhaps too many). Just a shame that the theme has been rather over-used and so you know exactly what to expect and when to expect it. Damon is absolutely convincing and it is easy to “be fooled into thinking" that he is just a harmless young man with a pleasant face and his subsequent rebirth into a killer is just perfect. Too bad that in the second half the movie becomes loses a little of the atmospheric and pace of the first half. It is a crying shame that the director didn’t give Powell’s great soundtrack more of a chance to make a mark. The entire movie is spoiled by the final over the top jump; this belongs more in “triple-x" movies than in anything trying to be a little serious. Simply a good attempt at a genre piece that walks its own original path. Until the finale, that is. (03/08/2004)

Matt Damon, with his boyish appearance, doesn't fit into the super agent type, at first glance he looks like an ordinary dude, but when he reveals his fighting skills, you can see what a mistake that impression is. It makes you root for him all the more and relate to him. A superb thriller that does without exploding cars and piled-up corpses. The hand-to-hand fight in Bourne's apartment is one of the best I've seen so far. And not to mention John Powell's great soundtrack would be an unforgivable sin. PS: After a repeat viewing I am forced to throw in the fifth star, this likeable "action flick" has everything such a film requires. And to top it off with a polished script, with some interesting original moments. (02/03/2003)