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Jodie Foster plays Kyle Pratt, a recently widowed aircraft designer who must fly her and her daughter back from Berlin to America in order to bury her late husband. When she awakes from a much-needed nap, she realises to her horror that her six-year-old daughter Julia is missing. Kyle initially thinks her daughter may have wandered off, but mild panic turns to full-scale hysteria when after an exhaustive search Julia is nowhere to be found on the plane. More worryingly, it emerges that Julia was never even registered as a passenger on the flight. With no one on board confirming that they had seen her, the audience is left guessing as to whether this is all a figment of Kyle's strained state of mind. Tense action follows as Kyle must rely on her own instincts to save herself and find her daughter. (Buena Vista Home Ent. UK)

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Reviews (8)

Pethushka 

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English I liked the first half of the movie a lot. Just the kind of psychological puzzle movies I like. But suddenly the villain is revealed to the viewer and a huge and stale bore begins. She tries, blah blah blah... he's hot on her heels... and she eventually escapes him. She's a hero. Except for the ridiculously flubbed ending, a nice show. ()

Marigold 

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English This was handled poorly. It doesn't make sense as psychological-ghostly madness or as an action thriller. Perhaps the "more mystical" half is worth watching thanks to Jodie Foster, but during the big twist the screenwriter went crazy and, together with the story, the whole film goes to hell. The fact that Robert Schwentke at least manages to keep the directing slightly above average does not change anything. ()

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D.Moore 

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English The ending didn't have to turn into all that "action" and the main villain could have forgiven himself a speech in which he tells how and why he set up everything, but it doesn't change the fact that Flightplan is a pleasantly watchable thriller (light) with a very good paranoid atmosphere and a quite original idea. I'm rounding up three and a half stars. ()

Kaka 

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English Very weak. There are plot mistakes and blunders in the script, holes like in Swiss cheese, not to mention the second half of the film, which can be called one big cliché. The actors are unremarkable, and even Jodie Foster didn't convince me completely. The first half is still quite watchable. The realistic portrayal of airport operations and certain established rules in air travel is satisfying, and sometimes are highlighted in the foreground. But all attempts at a realistic thriller are undermined by the foolish script. Technically, the film is surprisingly mediocre. The interior of the airplane is beautifully arranged, but the outdoor shots are downright tragic. How could the airplane be black and without a single Airline logo? There are truly a lot of these shortcomings. The final explosion scene is technically botched, and you can feel the computer's involvement (and this is not the first time). This is definitely not for me. ()

gudaulin 

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English This is a drama that is much stronger in its questioning when it provides no clues, let alone answers. When it stops asking, it quickly, very quickly, loses steam and the ending becomes painfully routine, riding on the most embarrassing clichés. The film starts at 4 stars, only to slip to one in the end. I'll give a final 2 stars for Jodie Foster's effort. Overall impression: 40%. That plane looked more like an ocean liner or a luxury hotel. Either way, its operator doesn't bear the burden of fuel payments. This is only possible in the aviation fleet of some oil-soaked Arab state... ()

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