The Da Vinci Code

Howard is innocent here. The plot, which is primarily about talking and talking, probably couldn't be filmed better. Even the actors do a solid job considering what the script allowed them to do (both Hanks and Tautou were fine, not to mention McKellen). And those two and a half hours did go by pretty quickly. Why 2* then? The problem is the rambling source material and, logically, the script. Brown confuses apples with pears, history with myths, creates conspiracy theories as a skillful manipulator, which are nice to listen to (and read), but at their core they are pulled from the proverbial ass and are closer to stupidity rather than controversy (but what can you expect from a man who confuses bits with bytes in his “Digital Fortress”, right?). How am I supposed to enjoy such a film when what it presents - from the premise to the unbelievable characters - is one big pile of nonsense? At the end, when the twist is revealed, I was just waiting for Monty Python to show up and sing a song. I can understand the big sales, a hearty media and advertising campaign can do wonders ("Film of the Century!" etc.), but I wonder, did this "poor man’s Daniken" really sell 60 million copies? Well, to each their own, but everyone gets what they deserve, of course. (27/05/2006)

I like the book much more. It was readable, full of suspense, in places funny. Unlike the movie, which is long-winded and in places boring to tears. It’s as if the screenplay just sketched the path along which we were meant to set out and ignored any clarity in the plot, individuality of characters and integrity of story. A movie isn’t a book and I think they forgot about that here. I would also have expected more from the cast. Tom Hanks gives the bare minimum and Audrey Tautou just looks pretty. It was Ian McKellen who did most work, thoroughly enjoying his role of rich seeker. The others just don’t get much room. The Da Vinci Code certainly wasn’t the event of the year, but luckily the overall effect doesn’t seem as awful as I had feared. 60 %. Oh and btw, the music is amazing. Hans Zimmer played his heart out. (28/09/2007)

The Da Vinci Code is flat, tedious and visually unappealing. And for me, as an atheist who at most acknowledges faith in himself, the plot is also unappealing. With the exception of Ian McKellen, the actors are bland and the only thing above average here is Hans Zimmer’s dark music. I haven’t read the book, and now I definitely won’t read it. Typical Hollywood tripe sold through brilliant marketing. (11/06/2006)

When the book came out and I was fortunate enough to get it very early and read it, I was literally thrilled. Brown's conclusions were almost unbelievable, everything made sense. Now, with the passage of time, I see that the boy is mainly skilled at research, on which he focuses, and then crystallizes the story from it himself. Let's face it, without those researches, there is no story, or rather it is a classic treasure hunt. He knows how to write it (i.e. use the found information), and that is appreciated. Ron Howard approached the film in a Hollywood way and quite boringly. The chase for riddles here sometimes sounds almost childish. It doesn't change the fact that it works quite well and it's a film that entertains. (19/04/2014)

Writer Dan Brown is definitely not going to become the new Umberto Eco, yet his book is quite readable. Unfortunately, the film version is rather unfortunate, given the literal adherence not only to individual scenes but often to the lines themselves, which somehow lose their meaning and logic without further explanation. This then becomes a continuous sequence of dialogues, from which the most fervent conspiracy theories, which so annoy the bigwigs in the Vatican, are suppressed into the background. Still, hats off to Ron Howard for making it flow relatively well despite the exorbitant runtime. If it wasn't for the awkward car chase that steals from The Bourne Identity and the rather clumsily filmed flashbacks, the film would have been more than decent because the scene where Langdon contemplates the cipher and the memory of Issac Newton's monument forms in front of him is amazing, as is the final kneeling. Tom Hanks is not suitable for the main role at all (the wannabe youthful look does not suit this actor), while on the other hand, Paul Bettany is excellent as the albino, including his precisely chosen accent. It’s a thriller worth a single watch, and if it hadn't had the heavy advertising, the copies in the video stores would have been covered in dust after a few months. (24/06/2006)