Pirates of the Caribbean: Dead Man's Chest

In the wake of the more than solid part one, Jack Sparrow, excuse me, Captain Jack Sparrow doesn’t spoil his reputation, but nor does he improve it much. And in places this looks almost too much like a mundane feet-up blockbuster. Luckily the picture is stopped from sinking under the waters of the Caribbean (again) by Depp. Although the movie is tripped up significantly by the creators who try to include Jack in all possible situations. We get two really successful scenes (cannibal island and the sword-fight over the key to the treasure chest) filled with watchable stuffing, impressive production design and entertainment for the whole family, so the Buena Vista financial department will certainly be pleased. P.S. after watching again several years later: I liked it a lot better second time round. So much that most of my original objections no longer seemed to matter. (07/08/2006)

Typical megalomania from Bruckheimer's workshop that stands and falls with the directorial skill of Mr. Verbinski, who managed to give the entire colossus the right stamp of a classic pirate adventure. It’s also cut with a solid dose of perspective because, without his steady guidance, Depp's antics, the thrilling special effects work, or the potential of the top-notch cast (the demonic Bill Nighy, the charismatic Stellan Skarsgård) might have fizzled out. The whole never loses its dynamism and the plot - although very simple - moves forward at a furious speed, meaning that even the 150-minute runtime is ultimately a pleasantly watchable experience. It’s no-brain popcorn entertainment that fulfills its goal (to entertain everyone) one hundred percent if you are not a die-hard intellectual who lacks a sense of fun. (15/01/2007)

A ride in which you alternately switch from a Trabant to a racing car. However, this unbalanced mix of lengthy workarounds, overstuffed plot and diabolical action is still worth seeing, if only because of the amazing Billy "Davy Jones" Nighy, who proves that even with just the eyes and suggestive voice modulation you can perform miracles. (14/08/2006)

Pirates of the Caribbean unexpectedly became the most successful pirate film in the last 25 years, after the genre was perfectly discredited by romantic B-movie crap by second-rate directors. Pirates of the Caribbean was filmed with ease, humor, and originality, without much interference from the producers, so the crew had freedom, and, for example, Johnny Depp could afford to have his peculiar acting, portraying the pirate captain as a hippie who just smoked a joint. However, in the sequels, it is visible how much the studio had expected from the film, and this desire to fulfill obligations had an unfavorable impact on this film. Despite the high budget, the same cast, and ubiquitous effort, it is more cumbersome and over-embellished, and in the end, it doesn't hold together. Especially when, unlike its predecessor, it doesn't have a story with a point and not only leaves room for further sequels but rather feels like an episode from a series that ends with an invitation for the next installment through a cut in a suspenseful scene. Some scenes, such as the duel in the ruins of an old mill and the subsequent swordfight between the blades of a broken mill wheel, however, are highlights that adorn any top-notch blockbuster. Overall impression: 60%. (24/10/2010)

The most treacherous part of the trilogy not only in terms of character actions. Perhaps it would be appropriate to say that the second part deserved to be cut and combined with the third into one movie, but it probably wouldn't work. I myself have caught myself wanting to watch Pirates all the time, even though it doesn't mean that Dead Man's Chest is flawless. It is really overloaded, some plotlines are pointless (cannibals), some desperately unremarkable, but who cares when it's such fun. The endlessly mentioned fight on the mill wheel and everything around it, together with the final Kraken performance, is a true adrenaline delight. (30/05/2007)