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Sin City 2 - A Dame to Kill For is set both before and after the first film. Powers Boothe returns as corrupt politician Senator Roark, who is being hunted down by Nancy after the suicide of her friend and protector Hartigan. Joseph Gordon-Levitt stars as a shady gambler determined to bring down the city's biggest villain; and Josh Brolin plays Dwight, a man struggling to maintain control over his life and personal demons while fending off his ex-girlfriend Ava (Eva Green)'s wealthy husband Damien Lord (Marton Csokas). (Lionsgate Home Entertainment)

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Malarkey 

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English Not much has changed since the first part. And that’s despite that fact that ten years have passed since its release. Once again, the world of Sin City is brutal and unpleasant. It will literally make you vomit. Once again, all the people here are either guys who are ripped or half-naked chicks. Gallons of gray blood are dripping through the screen and there is the odd good moment, but that doesn’t save the entire movie like it did with the first part. But I must say I liked Josh Brolin’s character very much. I liked his cynical attitude to everything, which is something I miss in movies in general. But for instance, Eva Green’s acting performance was such that I’m starting to get pretty bored with her. She is exactly the same in everything. Tough, mean and cranky. I really like her as an actress, but too much is too much. Well and Bruce Willis? Could somebody please try and explain to me why he even makes an appearance in this movie? It didn’t make any sense whatsoever. He’s away throughout most of the story, then he shows up, says something and disappears again. He was probably there only for the effect. Which could be said about the entire movie. ()

3DD!3 

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English No longer what it used to be. Maybe it’s because I managed to read Damn Big Sin City before watching (I couldn’t get my hands on the comic book before part 1) but it just didn’t have that great an impact on me. In quality terms, the stories are more or less the same. The Dame to Kill For is definitely the best part of this movie. Eva Green suits her role beautifully. The new story with Joe Levitt is excellent, but Jessica Alba as the vengeful Nancy not so much. It’s not a complete disaster, but it seems badly thought out to the end and too many things go suspiciously well. Overall fine, but the moment of surprise skedaddled. ()

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kaylin 

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English I didn't believe that anything bad could be made out of this movie, but it really happened. The new plotlines that Miller wrote for the film are not particularly interesting and may be overly stylized. Especially the new Nancy is a monster. "A dame to kill for" lacks the necessary charge and the overall stylization feels strange to me. It's like it's a different "Sin City" than the first one, different in terms of approach and the actual filming. It still has good moments, but there are too few of them. Unfortunately, most of the characters are just decorative. ()

Stanislaus 

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English The second to Sin City is again full of very suggestive and imaginative visuals, but story-wise it is noticeably weaker than its predecessor, which had the primacy of the first (and therefore novel) film. From the cast, the one who impressed me was Eva Green, who enjoyed her role properly. In short, a sequel that didn't need to be made at all, but then again I would be lying if I said that the screening was a waste of time. ()

gudaulin 

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English My relationship with film is best illustrated by the fact that I managed to avoid it for almost 8 years after its premiere. Rodriguez has never been among my favorite directors, and even in moments of weakness, I only gave him a maximum of 3 stars, and with the passing years, I feel that I am moving further away from his work. Therefore, today I am much stricter when it comes to his films. Since the first trip to Sin City, Rodriguez has not advanced anywhere, and he hasn't understood anything or learned anything new. In this film, we can once again witness the failure of narrative techniques and the pitiful inability to work with characters. The film quickly becomes an unintentional parody of itself. Miller's exaggeratedly affected comic book vision needed cinematic cultivation and sensitive development of its world, not mechanical takeover and cramping literalness. Rodriguez did not become a visionary, but rather a discoverer and advocate of a typical dead-end in filmmaking. If it weren't for the fetishistically seductive visuals and the presence of Eva Green, who lends her deceptive femme fatale with confidence and wit like no other actress, I would rate it even lower. Overall impression: 35%. ()

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