Pirates of the Caribbean: At World's End

Almost three hours of mismanaged megalomania that has nothing to do with good entertainment. Verbinski couldn't pull off the digital ridiculousness, so he just put scenes together scenes one after the other without any invention. There is an incredible mess between the characters, the backstabbing gets boring after a while, and the amount of perspective inherent in the previous two films is sorely lacking. If it were half an hour shorter, it would be the blockbuster of the year, but this is a pompous bore that grabs your attention only with a reference to Leone and a funny cameo by Keith Richards. (30/11/2007)

A beautifully sentimental ending, which somewhat saved the overall impression that was too drawn out and lacking the magic of the first film. It's just too much of a blockbuster now, a money-making machine, and it shows. The actors are great, Orlando Bloom is probably the most unbearable of all his roles here, and the special effects are beautiful, but that's already kind of standard. (14/04/2015)

The plot twists and the chattiness of the trio of “Pirates” remind me a lot of our glorious parliament. Endless quarrels and fights, here played for the eye of the spectator, here meant seriously; on the outside they appear as irreconcilable rivals, but behind the scenes, out of the public eye, they even toast each other with "pirate rum", at one moment they are falling each other's arms, and the next they could stab each other in the back and nobody would be any wiser. The admirable precision of the production design and visual effects deserves praise, the final battle raises the overall impression a lot, but it's more than two hours long! With all that politics the creators deserve to be flogged. Or better still, they should be condemned to smell Jack Sparrow’s socks for two weeks in a row. (22/12/2007)

One of the most anticipated films of the packed summer of 2007, in which I got a lot of Depp, a fierce Keira, the pre-proclaimed Chow Yun-Fat, and finally, after a clearly defined happy ending, we go home. Or not? Pirates turned out to be an unexpectedly unpredictable piece. Things that seemed clear and predetermined ended up a bit different, and the creators, even after getting stuck multiple times in the beginning, finally came up with an unforgettable finale. I admit, in the first half, I was disappointed, and several times I caught myself thinking that if the whole movie ended in a similar manner, I would consider the third part of the series a missed opportunity. The dialogues were occasionally strongly amusing and half-hearted, Sao Feng's behavior illogical, and everything was saved by Depp, who confirmed that he will never disappoint. But Verbinski didn't forget to direct, and moreover, he brought in semi-god Hans Zimmer to collaborate, who unleashed hell with his variation on Morricone's battle compositions, which lasted almost an hour. The final battle in the whirlwind is an incredible spectacle that takes your breath away, and all the events that frame it, Verbinski keeps under control even where other directors would easily lose their teeth (Elizabeth's speech to the pirates). And I wouldn't have believed that the ending of this trilogy would move me to tears before the screening. The Flying Dutchman still sails, and Pirates of the Caribbean won't become a trilogy that will change cinematography. But few will imitate its entertainment value. (30/05/2007)

The opening sequence is great, the bouncing between disparate locations is filled with a satisfying amount of jokes, the production design is eye-pleasing and Geoffrey Rush is thoroughly enjoying his poorly explained comeback. But there’s something now that feels wrong. The story goes on for a frighteningly long time towards the first (saving Jack) and second (getting out of the place from which there is no escape) goals, foreshadowing the already genuinely scary middle part, which crumbles the awkwardly paced plot between a bunch of characters acting independently and often incomprehensibly, whose scheming and subterfuge may look clever on paper but in an expensive blockbuster are as ineffectual as a guy arriving for a first date with a haircut like Adolf Hitler. And of course, the whole thing drags on like a crowd of pensioners at a Kaufland discount. Fortunately, the ending is worth the wait and the carnage at sea looks as breathtaking as the technical innovations allow, which makes the amount of unnecessary filler all the more regrettable, as it doesn’t move the film anywhere and only bluntly pushes it to achieve the attribute of GREAT by, among other things, its own bloated runtime… (07/03/2017)