Michael Clayton

A very intelligent and quite cold film that sticks so strongly to genre conventions to the point of being a problem, because a little more excitement wouldn't hurt. Despite Gilroy's attempt to ride the wave of reality, there are a few missteps, like for example, the dream “horse/bomb” scene – that could hardly happen in real life. But this is still a solid legal thriller, thanks to its visually simple and austere execution, with plenty of brilliant dialogues and experienced actors who play strong and captivating businessmen to perfection. Clooney in his mentally toughest role yet, he has forsaken his charming façade, and as a tough negotiator, you believe in him down to the last detail. A high-quality genre film that may not entertain everyone, but is capable of smartly appealing to the audience. (02/08/2008)

The excellent opening with Tom Wilkinson’s alarming monologue and shots of cold glass offices creates an atmosphere that will engage you and won’t let you go until the final shot of Michael Clayton. The screenwriter of the Bourne trilogy, Tony Gilroy, produced a respectable directorial debut and, thanks to its deeper message, puts his genre competitors Steven Zaillian (A Civil Action) and Sydney Pollack (The Firm) to shame. Tilda Swinton is great here, as are Wilkinson and Clooney. This drama is a proud representative of the “Hollywood Art” category. (21/01/2008)

Michael Clayton was a completely different movie than I originally expected. No lawsuits, no flashy crime story with a shocking final reveal, but a perfectly sober and precise drama with amazing performances. I'm not so much talking about George Clooney, who once again performs to his classically high standard and is more than convincing as a stubborn negotiator suspecting a great deception, but in particular about the deranged Tom Wilkinson and his tiresome monologues, and the lawyer Tilda Swinton, who perhaps still carries a piece of the evil queen from Narnia. And even though I was quite sceptical at first and the plot seemed far-fetched, the slowly unravelling story gradually drew me in and I really enjoyed the final part. Tony Gilroy has made a low-key but very subtle film that is one of the pillars of its genre... (29/08/2012)

A corporate apocalypse with a terrific script, direction, music, and performances. Characters abound and it's not hard to get tangled up in the convoluted story at times. But it's all the more satisfying when you get it back and everything starts to fall into place in you. Add to that the perfect scenes, led by the murder of Arthur Edensen, and the lack of audience pandering, and the rating is clear. And the ending... Anyone who doesn't like this, hop on back to Seagal ;) (13/09/2010)

I will not give the highest rating to Clayton, as it is too cold and distanced, but otherwise, it is a thoroughly professionally made and impressive film about the evil in legal and business circles, the power of money, and the unfulfilled ambitions of one unscrupulous manager. The film has a clear storyline, convincing motivation for its characters, an excellent acting cast, and corresponding top-notch performances. In short, it is a world-class film. It is no coincidence that one of the producers was the director of the legendary thriller Three Days of the Condor. Overall impression: 80%. (11/12/2011)