Hot Fuzz

The narrowness in adopting clichés from the other side of the ocean is often so perfect that Hot Fuzz slips to a certain self-purpose and so it balances on the edge of good taste (beyond which the similarly tuned synthetic B-movie Tarantino often falls). The film entertains when it is being British on the inside and American on the outside, but then it loses a bit in the finale, which is irresistible at first, but after a while it gets a little excessive. It's hard to justify why, despite the long runtime, great ideas and surprisingly quite engaging storyline, Hot Fuzz didn't make that much of an impression on me. Perhaps its action mimicries are so perfect that they inevitably evoke the shallow impression of a normal action movie. If there is something that I really enjoyed in addition to the atmosphere, then it is the excellent acting by Simon Pegg and Nick Frost, the perfect return of ex-Bond Timothy Dalton to shootouts, the stylish and youthfully fresh directing by Wright, and the great music of (currently working on Bond) composer David Arnold. When the best action film of 2007 is chosen, Hot Fuzz should not be forgotten... even with all the mockery, it is more fun and full of energy than most overseas productions. However, the film still lacks a higher degree of perspective in order to achieve perfection - not of the parodied genre, but of itself. (05/09/2007)

"You haven’t seen Bad Boys 2?" An action party that has everything – Tony Scott’s epileptic fits, Bay-style helicopters and all that jazz. All spiced up with great British humor and an unusual plot. A movie from the fans to the fans that is a must see for every orthodox geek. (24/09/2007)

Genius films are those that can balance exactly on the edge, so if any ingredient were added just a little bit, it could turn into a failure from a great success. During the first half of the film, I had a great time and it could have been the comedy of the year for me. The precisely calibrated exaggeration on the topic of an overly enthusiastic police officer within an established bureaucratic machinery was not only functional but divine. Similarly, the confrontation between the big city and the sleepy small-town environment where everyone knows each other very well. Unfortunately, in the second half, the creators felt the need to add. Practically everything. As we know, too much of anything is harmful, and thus it turned into a rather average absurd farce. The moment the army of murdering psychopaths appeared and the dialogues took on the dimension of British nonsense, the charm of the film was lost for me. I would give the first half a rating of 100%, the second half 50%, and overall 75%. (26/10/2007)

To be clear, I love horseshit, intentionally and unintentionally funny B-movies and parodies full of references, but there was nothing here. As with the previous Shaun of the Dead, I'm experiencing a slight déjà-vu. Wright's hammy humour bores me immensely, his editing epileptic jerks irritate me and quotes alone do not make a good film. The whole film leaves a sour taste on the tongue with a question directed at Edgar Wright: “What the fuck is this guy doing?” (25/06/2007)

A great action comedy where everything is a bit exaggerated, but at the same time, it is excellently constructed as both a parody and a standalone functioning film. Simon Pegg and Nick Frost simply fit together, just as Edgar Wright fits with them. This collaboration of these three personalities of contemporary British cinema is the best they have ever been responsible for. (13/03/2014)