Harry Potter and the Half-Blood Prince

It was fun, it makes it all the more messy. People who haven't read the book must be a bit confused (well, my immediate circle was). It's a shame the script buried it like that. If it had been more in the detective vein (remembering what Draco actually does) and flashed some of that romantic sparks here and there, it probably would have been better. I don't think Harry Potter is a one-act romantic comedy... Music – great as always; effects as well. It's just that a 153-minute movie shouldn't look like this, or let it look like this, but the people around you in the theater aren't supposed to be saying: "Is it finally over? Damn, not yet?! What time is it? Check your watch!" I kind of want to say RIP. Weakest installment of the series. Anyway, I'm curious to see what they're gonna serve up next. (16/07/2009)

Considering Yates managed to get something out of the most superfluous part of the book that ends up not working because of that superfluousness (aka zero action), then I have nothing left to do than look forward to the adaptation of book seven which might at last aspire to toppling Cuarón’s offering from its position of best Harry Potter movie adaptation. (20/07/2009)

I enjoyed most of the sixth Potter (despite the guy in front of me who was farting throughout, I’m not kidding!), or rather that applies until the movie reached the end and I was literally disgusted by what the screenwriter was doing (from the point where Harry and D return to the Hogwarts). I haven’t see a more bungled finale in this series yet. Certainly Yates gets the maximum out of this, but that means that, differently to in the book, the characters behave illogically and everything seems a little slow. The finale in the book was as tense as a guitar string. Surprising, logical and maybe the best that Rowling wrote. Where is the big battle, where is the inevitability? Wasted words. It’s completely different right from the start. The story takes off a amazing speed and if it weren’t for the rather exaggerated love interest (they only included that to lighten the mood a little) I would be happy with it. I really liked Jim Broadbent’s Slughorn - he was just right for the part and more than satisfied my expectations. Otherwise, it’s a classic, but maybe Tom Felton and Alan Rickman were more striking than last time. In the end I’m giving it 4 stars, even though it was rather lame this time. P.S.: At home we have exactly the same water glasses as the ones that Harry, Hermi and Ron drink the butterbeer from at the Three Broomsticks. (31/07/2009)

It's unfortunate that the conversational aspect from the life of teenagers returns. I'm used to the undersized story, but I’m simply not interested in the emotional chatter of the little wizards. It’s a good thing that Yates gets the film going decently again in the second half. After the promising fifth film, it was confirmed to me again that the film version of Harry Potter is a precisely treated product, but there is no great magic – it disappeared with the departure of Oldman and the influx of hormones. Fans will be pleased, the infidels will not be offended, and the film will amuse and do no harm. Stupefy... not a chance. [65%] (13/07/2009)

For me, this is the most messed-up film adaptation of the Harry Potter books, mainly because the creators focused mainly on that one scene at the end and kind of forgot that the story has something more to it. Yes, it is much more for adults, parents can watch it and enjoy it too, but here the original material got quite badly beaten. (03/02/2014)