American Gangster

A Vietnamese gangster, a.k.a. a bit of a different kick in the rear to the way America was headed after the WWII, when you could swim in banknotes, but with more or less dirty hands, of course. Fantastically brisk, almost in the style of Scorsese’s best, skilfully put together around the informational and motivational parallelisms between the characters, and shot with a certain text-book aloofness that lets you not only appreciate the story of the protagonist, but also the general narrative and timeless diary of an era, and the links to the social or ideological components. But at the same time, non-stop fun as every proper cop movie. Very well spent three hours. 90% (19/04/2020)

Another contribution to the family of top-notch mafia flicks. The first half is a little protracted and boring, but the second half makes up for it. Denzel Washington steals the show, forcing Russell Crowe into the sidekick role. The new Scorsese (The Departed) was more superficial, but stronger in details and with sharper edges. Scott is slower and less flashy, but also more harmonic and easy to follow. The kings of the genres for me are still Coppola (The Godfather) De Palma (Scarface) and old Scorsese (Goodfellas). (20/12/2007)

After being urged by a fried for several months, I finally watched American Gangster and I can’t shake the slight enthusiasm. Flawless direction, brilliant performances (and I don’t like Denzel too much) and an interesting story (at least for me, I haven’t seen many gangster movies so I can’t compare it within the genre), all combine to deliver a five-star worthy film. And even though I generally prefer films that are half as long, this one didn’t bore me for a second. (03/07/2008)

Under the impression of high ratings and knowing that it is one of the most praised films of last year, I expected an exceptional experience, which did not happen; however, it does not mean that it is a bad movie. But there have been many gangster films made in the United States, and Scott's film is not among the very best. My favorites remain the older films by Scorsese and Coppola. Ridley Scott adds racial issues and the Vietnam war trauma to the classic gangster theme. In the first half, the film starts at a slow pace, and Russell Crowe seemed rather unremarkable to me. Most scenes felt like I had seen them somewhere before and they could have been directed a bit more atmospherically. However, it is a big-budget film, skillfully edited, with excellent music and good actors. Overall impression: 75%. (10/02/2008)

It’s probably true, Ridley Scott, is getting better the older he gets. He’s directing even stronger stories than in the past, but just as visually brilliant, and the actors in them play fantastically – better than ever before. One would expect that at his age he would only enjoy making movies and shoot easygoing films like A Good Year, but that's not the case. Scott is fiercely pursuing success, he’s still as enthusiastic about filmmaking as before, and thanks to this spirit, he was able to make a thrilling and intense film like American Gangster. Fantastic in terms of acting (Denzel Washington is magnificent), visually brilliant (cinematography, editing) and in terms of the production design and complex depiction of the 1970s in the American metropolis, it is hard to beat. It’s not a better film than Goodfellas (slower pace), but in the current times of garbage in the sewage, it is a clean, winding and proud bandage on the cinematography of commercial Hollywood. After the second and third screening, one of the best gangster movies ever. Better, more compact and with a bigger heart than Goodfellas. Josh Brolin is awesome and so is Washington. (03/02/2008)