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On the hottest day of the summer of 1935, thirteen-year-old Briony Tallis sees her older sister Cecilia (Keira Knightley) strip off her clothes and plunge into the fountain in the garden of their country house. Watching Cecilia is their housekeeper's son Robbie Turner (James McAvoy), a childhood friend who, along with Briony's sister, has recently graduated from Cambridge. By the end of that day the lives of all three will have been changed forever. Robbie and Cecilia will have crossed a boundary they had never before dared to approach and will have become victims of the younger girl's scheming imagination, and Briony will have committed a dreadful crime, the guilt for which will colour her entire life. (Universal Pictures UK)

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NinadeL 

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English It's all point-of-view shots, things are made subjective, and it has a fragmented narrative, hypothesis, flashbacks, and flash-forwards (maybe even front-flashes, but I'm not going to segment that for you)... But hell with all that. When in the end it's all washed away by the perfection of Vanessa Redgrave's performance, I even end up believing it's 1935 given Keira Knightley’s performance. ()

novoten 

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English The king for the second time and completely differently. It would be too easy and an excuse to compare it to verbose Pride and Prejudice. Atonement, on the other hand, takes a completely different approach, with the only common aspect. Both films are so personal to me that they grow with every subsequent screening. And so, even though Wright the director and visual perfectionist occasionally surpasses Wright the storyteller, the criticisms disappear precisely because the audiovisual aspect surpasses the majority of what I have seen in life in grand or conversely intimate scenes. Just Atonement, whose literary source is one grand intimate psychological study, is not a piece of cake for adaptation. Master Joe is absolutely unique among contemporary creators in one aspect. He can guide actors to such an extent that they completely merge with their characters and from the screen, desire, love, hidden emotions, and helplessness scream. And I feel how they scream right at me, and so loudly - and I understand them. At this moment, it seems to me that some atonements will be made forever. Happiness is sometimes terribly far away. ()

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3DD!3 

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English To be quite sincere, I’ve never liked this type of movie much, but this time I’m glad that I decided to make an exception and watch this one. Atonement is a wartime drama that has much more inside it than it seems at first glance. And the standard of the acting performances and directing make it impossible for me to give it anything less than a full set of stars. ()

J*A*S*M 

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English Romantic films are certainly not the kind I look for, but I have nothing about having an occasional look at genres that are not my favourite and today I decided to watch the best rated romance of 2007, Atonement. The result is that for most of the runtime I was bored and frustrated, hoping for the end. The direction is brilliant, the film has lots of gorgeous visuals, but it didn’t have much of an effect on me. But then the story jumps to the present and the end shattered me. The tempers suddenly flare and I have to say that I don’t regret putting on this film. 70% ()

Pethushka 

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English Oddly enough, I find Atonement a bit more interesting plot-wise than Pride and Prejudice. The costumes and atmosphere generally suit me. I like the appropriate seriousness of the situation. Overall, I feel like the film means something and carries an idea. The cast is good, although Keira doesn't stand out as much as I think she should. But yes, a well-made film that I'll happily watch a few more times. 4 stars. ()

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