Eastern Promises

When watching Eastern Promises, many film fans probably thought, "Thank God that Cronenberg has gained some common sense in his old age and started making understandable genre films accessible to a wider audience." I prefer the old "perverse" Cronenberg, who experimented and came up with original stories beyond the mainstream of cinema. Eastern Promises is not bad at all, although the script is definitely not original and an experienced viewer can guess where the story is heading after a while. For example, the scriptwriter lacked the courage to cross the genre taboo of the death of a child character. What makes this thriller stand out and surpass average productions is the excellent cast and great performances, far from typical B-movies. The atmosphere of the foreign Russian mafia with its secret rituals, tattoos, and "mythology" is naturally attractive. Overall impression: 75%. The depiction of several overly naturalistic shots, such as the stabbing of a human eye in a fight or the mutilation of a corpse, disturbed me, but many fans will probably appreciate it. :-) (26/09/2008)

Cronenberg left the fantasy world of human obsessions for good and began to explore ordinary people in liminal situations. The synopsis of Russian gangsters in London smacked of fake nasal accents and litres of vodka, and yet the result is more about the confrontation of different worlds. When we enter it, we can't get out, whether it’s the mafia driver with a secret, the nurse with an internal stigma, or the Ukrainian emigrant playing the involuntary role of a prostitute. It's gripping in moments and emotionally fulfilling on the whole, though the epilogue could be explored for long moments. And as paradoxical as it sounds, Eastern Promises is a very different alternative to Love Actually as a London Christmas film. 4 ½. (20/12/2007)

Despite its simple plot, this impressive, small-scale intimate drama left a stronger impression on me than the spectacular American Gangster. Eastern Promises is a sophisticated film affair for the non-popcorn viewer, in which everything fits together like the cogs in Viggo Mortensen’s ten-thousand-dollar wristwatch. Supported by fantastic actors, David Cronenberg confirms his mastery in terms of creating characters. Mortensen’s best performance so far. Also, the portrayal of the Russian mafia setting is incredibly powerful and authentic for the peace-loving Canadian Cronenberg. And as a bonus, there’s the excellent sauna scene that bears the director’s traditional signature. This is the best of Cronenberg’s last five films. (10/01/2008)

Good advice is better than gold - and believe me this is a good maxim to follow. The second picture by the “new", more approachable Cronenberg is in many ways like the first. And in many ways it is a bit weird. A movie about Russians where they speak, sing and everything else in Russian. However not a single Slav figures in the international cast. As a result it is conspicuous in the intonation, like it or not. It’s not exactly that dumb Hollywood idea of an affected Russian accent, but still. On the other hand, you might not notice, because otherwise the actors are utterly convincing. Not just Mortensen or Cassel, but also the absolutely perfect Armin Mueller-Stahl. But still, it was Viggo who left me with the deepest impression. His calm, confident demeanor speaks volumes. When he makes that gestures toward his uncle in front of the restaurant, you know that if you were there you would never leave the house again and couldn’t look forward to a good night’s sleep for the foreseeable future. The fight in the spa that everybody is raving about it simply... Realistically powerful. But what brings the movie down most is the rather surprising plot. The entire storyline with Naomi Watts is interesting, but seems added on later. Even the sudden ending is untraditional, but... And that’s precisely it. Eastern Promises have rather too many of those for my taste. I’m not saying that this isn’t a very good movie, but just that it could have been better. Considerably better. (10/01/2008)

A slow and ethereal film without any unexpected twists, lightning-fast executions, or a pile of violence, but it still carries the typical signature of the renowned director. The depiction of the cold atmosphere of the Russian mafia is incredible, as well as the accent of Vincent Cassel and Viggo Mortensen, whose training must have been unbelievable. You can literally feel the typical scent of borscht oozing from the screen. There’s surprisingly little violence and blood, but there is one wild scene, a thrilling fight in the sauna, which has no equivalent in modern Hollywood. Intensely paced, narratively clear, and capturing the Eastern atmosphere in a modern metropolis, this captivating non-mainstream mainstream film needs to be seen in the evening with not a single light in the room. (18/07/2008)