Eastern Promises

Cronenberg shines again! The guy's a genius. It's a gritty tale of crime and redemption with an unusual (hidden) tenderness. Cronenberg uses every possible allusion to develop the story. He draws us into the story, immerses us emotionally to the characters, who are not portrayed as either bad or good. And this is Cronenberg's masterful talent, to show us each character as he wishes, without any preconceived notion, and absentmindedly bringing the audience to play emotionally with them. The sauna scene is clearly the film's highlight. 75%. (05/01/2014)

Pretty restrained for Cronenberg, but you can still see his style. Like most films of his I’ve watched, this one felt very cold, but it still managed to capture my attention thanks to the intense rawness. Cronenberg is not for everyone, but I like playing his emotionally detached games sometimes. 80% (18/08/2008)

With a bit of exaggeration, Naomi Watts's character seems to have fallen out of a naive Danielle Steele novel, creating a perfect contrast with the hard male world of the criminal underworld that has a somewhat uncompromising touch (detailed throat slashing, a knife stabbing an eyeball). It's in fact this contrast that is the greatest strength of the story, which is not very revelatory, but it must be said that Cronenberg's understated direction is very pleasant and effective, because despite the trivial plot, his film manages to draw you into the action so that the 100 minutes go by so quickly. Compared to the previous and weak A History of Violence, it is really very engaging with some truly unforgettable scenes (the opening fight in the sauna with Mortensen in a birthday suit). I could watch the phenomenal trio of Mueller-Stahl, Cassel, Mortensen for days. (08/01/2008)

Just when I thought I had Cronenberg figured out and not particularly inclined towards my taste, something like this comes along. While in A History of Violence he only touched on the gangsters and wrapped the whole story in somewhat unbelievable personal drama, Eastern Promises is a whole different story. Their simple yet sufficiently detailed story reveals both the complicated personal life of Anna and the hierarchy of a community where they speak with a very distinctive accent and secretly give dirty orders. Thanks to Mortensen's perfect performance, the viewer doesn't escape from that evil and chilling world for even a minute. (07/02/2008)

When watching Eastern Promises, many film fans probably thought, "Thank God that Cronenberg has gained some common sense in his old age and started making understandable genre films accessible to a wider audience." I prefer the old "perverse" Cronenberg, who experimented and came up with original stories beyond the mainstream of cinema. Eastern Promises is not bad at all, although the script is definitely not original and an experienced viewer can guess where the story is heading after a while. For example, the scriptwriter lacked the courage to cross the genre taboo of the death of a child character. What makes this thriller stand out and surpass average productions is the excellent cast and great performances, far from typical B-movies. The atmosphere of the foreign Russian mafia with its secret rituals, tattoos, and "mythology" is naturally attractive. Overall impression: 75%. The depiction of several overly naturalistic shots, such as the stabbing of a human eye in a fight or the mutilation of a corpse, disturbed me, but many fans will probably appreciate it. :-) (26/09/2008)