Vantage Point

Vantage Point has such dynamic direction that I momentarily forgot about my prejudices toward action movies and even considered giving it five stars. But as the minutes went by, the simplicity of the film started to surface, with the script piling up one cliché after another and logical holes appearing in the plot. The moment when the kidnapped American president bravely started fighting with terrorists ultimately led me to give it a mere three stars. Nevertheless, it's not below average, as the film has a fast pace and offers a number of thrilling scenes. Overall impression: 65%. (24/04/2009)

It's perfectly heroic, overwhelmingly pro-American, and predictable in detail. Yet given the ridiculous money spent on it, the director got it moving in a high-octane style that doesn't let up whatsoever. And when you cast Dennis Quaid, Matthew Fox, and Edgar Ramirez as uncompromising tough guys with guns in their hands, you can't go wrong. I’m very satisfied and it gets a strong 3 ½ stars from me. I will definitely watch it again, especially given its short runtime. (03/08/2009)

This film would be more than above-average entertainment if it didn't borrow so brutally from all possible action flicks of recent years: a weapon like in The Jackal, quickly edited, dynamic chases like in the Bourne films (the action music was so obvious that for a moment I thought it was a Powell advertisement), a bomb madness like in Kingdom (debris, sound effects, echoes, dirt), and so on. But for forty million dollars, I don't think more could have been done, and the material is squeezed to the maximum. What is disappointing the unrealistic shooting and the somewhat second-rate villain, whose compromise couldn’t be more predictable, and even a moron can see at that moment what the ending will be like. (24/08/2008)

"Pete, let's throw in an unorthodox time loop, a Bourne-esque car chase, a cute guy from Lost, and an elite cast that's not yet a write-off, and it'll work." It's out of your head before you walk down the back row of the multiplex stairs. At the beginning, the repetitive time loop seems a bit tiresome, but as time goes on, the increasingly convoluted plot manages to at least activate the jaded senses of the tired viewer. The short runtime (one hour and twenty without credits) and the abrupt ending proves that 40 million is really not much for an action flick :o) (12/05/2008)

A fun bite-sized snack that greatly entertained me for about an hour and a half, but its quirkiness bothers me. It doesn't hold back on adrenaline, nor on good actors, but I would have enjoyed it much more if it had truly been the originally intended script for a full-length 24 movie, and if I could have found common ground with the main character (in this case Bauer). As it is, it remains effectively, but excessively loosely designed trauma. The direction is brisk, the interweaving of characters and storylines is sufficient, but only a few moments and the current culmination of all perspectives stayed in my mind. (13/07/2008)