Vantage Point

A fun bite-sized snack that greatly entertained me for about an hour and a half, but its quirkiness bothers me. It doesn't hold back on adrenaline, nor on good actors, but I would have enjoyed it much more if it had truly been the originally intended script for a full-length 24 movie, and if I could have found common ground with the main character (in this case Bauer). As it is, it remains effectively, but excessively loosely designed trauma. The direction is brisk, the interweaving of characters and storylines is sufficient, but only a few moments and the current culmination of all perspectives stayed in my mind. (13/07/2008)

For a dime-a-dozen commercial product, this movie is well thought out and engaging from the first minute to the last. In the end, it doesn’t really leave the audience with anything deep and doesn’t invite repeated viewing, but it will keep your eyes glued to the screen for those 90 minutes. And the only people irritated by the ending might be those who have never seen a single American mainstream action movie. (02/05/2008)

This film would be more than above-average entertainment if it didn't borrow so brutally from all possible action flicks of recent years: a weapon like in The Jackal, quickly edited, dynamic chases like in the Bourne films (the action music was so obvious that for a moment I thought it was a Powell advertisement), a bomb madness like in Kingdom (debris, sound effects, echoes, dirt), and so on. But for forty million dollars, I don't think more could have been done, and the material is squeezed to the maximum. What is disappointing the unrealistic shooting and the somewhat second-rate villain, whose compromise couldn’t be more predictable, and even a moron can see at that moment what the ending will be like. (24/08/2008)

I've been thinking about the rating for a long time, but in the end I'll be good again and give this film a thumbs up – Vantage Point doesn’t deserve to be slagged. It's true that from a filmmaking point of view it doesn't bring anything new and the serious premise is unpleasantly distorted by American exaggeration and jingoism, but for the ordinary popcorn viewer this film is a feast for which it's definitely worth making space and time. A big plus is the adequate runtime, which keeps the director constantly on his heels and forces him to keep a high speed, and then of course the actors around Quaid and Whitaker, whose roles may not have any great depth, but every viewer feels immediately more comfortable when looking at their faces. But I can say that I would have felt just as satisfied maybe even with a bunch of unknown actors, because Travis managed to create a very unpretentious and entertaining thriller that will probably make you change your mind if you ever want to be president. (21/01/2013)

"Pete, let's throw in an unorthodox time loop, a Bourne-esque car chase, a cute guy from Lost, and an elite cast that's not yet a write-off, and it'll work." It's out of your head before you walk down the back row of the multiplex stairs. At the beginning, the repetitive time loop seems a bit tiresome, but as time goes on, the increasingly convoluted plot manages to at least activate the jaded senses of the tired viewer. The short runtime (one hour and twenty without credits) and the abrupt ending proves that 40 million is really not much for an action flick :o) (12/05/2008)