Knocked Up

Judd Apatow confirmed his genius to me with this amazing film and, most importantly, disproved the myth that a great romantic comedy (even if at times it wasn't that funny) doesn't need to have a frugal running time "for the sake of its own success" if there’s a how and a what to tell. I probably would have snickered if someone had told me I would love a two-hour comedy (mostly a comedy.:)) whose central theme is unplanned conception. But Knocked Up isn't just any comedy, it's first and foremost a wonderfully human story with an well developed script in which two seemingly completely different people (sometimes hilariously, sometimes bitterly) who have very little in common gradually find their way to each other. Seth Rogen's fecal humor is brilliantly contrasted here with the delicacy of Katherine Heigl, who is wonderfully endearing in her sudden pregnancy and impossible not to love. The absolute pinnacle of the "romantic comedy" genre for the last 10 years. (18/05/2013)

A comedy should entertain and I have no choice but to say that I didn't laugh once during the whole two hours - in fact, I didn't even get the feeling that I should be laughing. Whenever a situation that seemed like humor was approaching, it was usually ruined by some vulgarity, stupidity, or the scriptwriter's failure. This film clearly targets a younger audience in their teenage years, which is the reason for the naivety, insincerity of the storytelling, and cheaper humor. It remains true that the film can convey some timeless differences between the female and male perspectives on the world and relationships, but a film like Barefoot in the Park can sell romance and immaturity of relationships twice as effectively with infinitely greater elegance and style, and any episode of The Simpsons can reveal the struggles of parenthood and marriage in a lot funnier and more cultivated way. The main female characters, led by Katherine Heigl, are a good aspect of the film, as well as the awareness that American studios produce infinitely dumber and more poorly crafted films in the same genre. Overall impression: 40%. (12/10/2010)

The empathetic teddy bear from Zack and Miri Make a Porno and the pretty girl from Grey's Anatomy together in an enjoyable, coarse-grained comedy about conception and the website Mr. Skin. There's nothing like finding out before sex that you're more beautiful than your counterpart. (23/07/2010)

Ambitious, but at the same time objectionable in its clumsiness. It can be overlooked that a beautiful girl starts with an unknown unsympathetic weirdo, but not the development of their relationship. Confessions come in a very forceful way and the comical situations do not at all correspond to the current mood. In addition, the only character that one can identify with is the been-upon Alison. The main hero is a boorish ignorant, who can ruin everything and still has a sense of victory. The script doesn't make it any easier for him at all, because he is given a gang of unfunny druggies as friends, who only leer and desperately make remarks. Apatow I take mercy on mostly because I endured this sweaty endeavor for more than two hours, occasional chuckles (De Niro's shoes) and the beautiful Katherine. (18/10/2007)

Judd Apatow proves why he is one of the revered filmmaker demi-gods despite the overly long runtime (for the genre). This is because of his incredible sense of creating parallels between the viewers’ own lives, wherein finding "one’s own thing" is not all that much of a problem. Despite the flurry of vulgarities and low humor, it works. This is especially thanks to Rogen's sympathetically civil charisma of a sweaty redneck and Heigl's ability to make even the most emotional moments believable. The ending is beautiful. (28/08/2009)