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In Arizona in the late 1800s, infamous outlaw Ben Wade (Russell Crowe) plagues the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans (Christian Bale) - struggling to survive on his drought-plagued ranch and desperate for money - volunteers need to escort him to the "3:10 to Yuma", a train that will take the killer to trial. During the journey the two men learn grudging mutual respect, but with Wade's cold-blooded gang in hot pursuit, the mission soon becomes a violent dangerous journey where honour and loyalty clash with far-reaching consequences. (Lionsgate Home Entertainment)

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Reviews (11)

Lima 

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English Originally, I was going to remark, at the expense of some of the responses here, that to complain for the lack of humour in a classically cut western, is like mocking Schwarzenegger for never playing Hamlet. But I really didn't expect that, because the last 10 minutes almost gave me a pain in my cervical spine from shaking my head in disbelief. There was a lot of potential, though, with the fantastically believable realities of the Wild West, the impressive casting with all those unwashed, hirsute faces and two actors (Crowe and Bale) who have the personality and charisma to pull the film to its very… stupid conclusion. What takes place in the last quarter of an hour (the moral awakening of a hardened bastard, the joint escape on the train, etc.) shamefully dwarfs the previous 100 minutes of carefully constructed suspenseful narrative. Stupidity of the coarsest grain, when during the closing credits I was looking to see if the Monty Python gentlemen had contributed their scriptwriting bit to the mill, because in the genre classification here I am missing the word 'parody' next to the word 'Western'. Strong 3* for the first 100 minutes and let's leave it at that, I'm going to pretend I went to the toilet for a very long 15 minutes before the end... ()

Isherwood 

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English A superb renaissance of the classic American western with all the trimmings, including the genre rules (and their weaknesses), that fulfills the meaning of words like honor or principled to the max. Whoever is criticizing the ending so vehemently should watch the film again because that is exactly what the film has been heading toward all along. Crowe and Bale are traditionally delightful, and all the more surprising is Ben Foster's cold-blooded butcher. Mangold has made arguably the best western since the early millennium. ()

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Marigold 

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English After a long time, a film where Bale's integrity did not upset me, probably because it was perfectly matched by the integrity of Russell Crowe. But how do you make a film where a good farmer and an evil outlaw stand against each other while maintaining integrity on both sides? Unfortunately, it is not without a certain awkwardness and playing for effect (especially in the end), but otherwise Mangold directed a stylish, raw and attractive genre spectacle. Moreover, sympathetically bearded, sweaty and old-fashioned. ()

Othello 

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English Very nice. The writers clearly didn't have their strongest afternoon, but Mr. Director and the main duo thankfully redeem what they can. It's a shame though, I haven't seen a script with this many holes in a long time. Leaving aside my inability to pick up on Crowe's motivation for what he's doing at the end of the film (an effort to explain was made), why, for example, is everyone only fixated on the journey to the station when the villains could (in my experience of other westerns) just as easily have hit the train? Well, whatever... Crowe is talking, bullets are flying and blood is flowing, what more do you want from a western... well, maybe a little perspective. *SPOILER ALERT*: yeah btw I was quite pleased with the death of Dan at the end – finally the death of the main villain, where he didn't have time to spill his entire autobiography and salute his relatives before his last breath. ()

DaViD´82 

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English Perhaps even fewer good westerns have been made over the past ten years than there are directors of Leone’s caliber walking the Earth. Apart from The Proposition, nothing springs to mind in the new millennium. Until now with 3:10 to Yuma. It’s kind of sad, really, because it is nothing more than “just" a good western. Nothing more, nothing less. Which isn’t to say I didn’t thoroughly enjoy those two dusty hours. I did, even though I’m someone who could’ve done without suffering the last five minutes. I consider the musical theme you can hear in the main menu and during the finale to be the biggest positive of the movie. I listened to it like fifty times already and will listen to it many times more. It makes me want to reconsider the one missing sheriff’s star in my rating. ♫ OST score: 4/5 ()

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