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Slick, fast-paced action thriller in which a mundane office worker is transformed into a lethal assassin. Wesley Gibson (James McAvoy)'s life is one of dull routine. Trapped in a dead-end office job, unappreciated by his boss, and cheated on by his girlfriend, Wes has accepted that he's never going to amount to much in life. But all that changes one day when he meets the enigmatic Fox (Angelina Jolie), a member of a secret society of assassins named The Fraternity who want to recruit Wes into their ranks. Dealing out death as ordained by fate itself, the society's leader, Sloan (Morgan Freeman), tells Wes that the father he always thought was dead was actually one of their top assassins, and that following his recent murder, he must now avenge his father's death by releasing the dormant powers he has inherited. Although reticent at first, Wes quickly warms to both the task and the icily-sexy Fox, as he discovers his natural aptitude for the job at hand whilst despatching the bad guys with supremely energetic efficiency. (Universal Pictures UK)

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3DD!3 

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English If I were a target, Wanted would hit my bullseye. It's got everything I love: Fight Club-style funny lines, action scenes that recall Matrix, and a twist that is delivered when you least expect it. James McAvoy, who I quite liked because of his performance in Atonement, fits the role of Wesley like a glove. He’s convincing as a cowardly loser who takes anti-anxiety pills for breakfast (and, in fact, for snacks, lunch, and dinner) and as a sharpshooter who knows exactly what he wants. Angelina driving a Lada is irresistible (I think Fox is the most important role of her career) and Morgan Freeman is a tough guy once again. I would highlight the perfect action sequence on the Pendolino train, which arouses both amusement and amazement (were they crossing the Macocha Gorge? :-), the fact that they finally mentioned my native Moravia in a foreign action movie, and the impeccable soundtrack by Danny Elfman who also sings the title song. ()

Isherwood 

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English Bekmambetov picks up in Hollywood where he left off in Russia. He just lovingly wrapped the "nothing" plot in a screaming visual package, using A-list actors instead of ribbons. Morgan mentors on a flywheel (not meant in a bad way), Angelina pouts her lips seductively again after a long time, and James boldly shows his ticket to the acting elite club of his generation. I didn't catch on to the anarchy that much (I’m interested in the comics) and the comparison of forces with The Matrix also seems quite wrong to me. Still, I’m definitely giving it a thumbs up, particularly in that Len Wiseman should get one of the DVDs so he can see how to film "over the top" action without necessarily looking stupid. 4 ½. ()

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MrHlad 

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English A very pleasant surprise. Great actors, good action, not nearly as bad a script as I expected and above all a generous portion of directorial ideas. Too bad about the lower budget and thus unimaginative production design and maybe too frantically filmed fights. Anyway, an enjoyably anarchic extravaganza that pulls no punches. ()

novoten 

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English Let your heart rate increase to 400, let yourself be kissed by Angelina, and above all, let everything go. Because it's just futile writhing from nowhere to nowhere. You won't find a more peculiar way to find spiritual revival anytime soon. Twist the path to the bullets, fulfill the mission, or just enjoy it splendidly. Because James McAvoy as the God of Chaos is watching over you and makes you forget that the plot about a woven message is actually just a big nonsense. So now you can tell me, why are you here...? ()

DaViD´82 

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English Or: How the Russians (I know, he’s from Kazakhstan, but still) pays Czechoslovakia a “friendly" visit, like they did in 1968, this time for American money. I’ve liked Bekmambetov ever since Night Watch, but back then he didn’t manage to keep total control. Then, in Day Watch, he let go of the reins far too much. At the beginning of Wanted, my hopeful smile was wiped from my face by the opening action scene. It’s a long time since I saw such dumbness and pure awkwardness on the silver screen. It’s just far too much. I awaited in horror what was to come. But then it managed to push itself off the bottom of the anti-talent pool to incredible quality. Even the Palahniukesque toiling of the main “pimp" indicated that Timur and his gang might manage after all. And then it really gets going, one idea after another. This is an inaccessible action movie in all ways, despite having a functional story, good actors and even that stagnating Danny Elfman is on his way to the top again. And last but not least, you have to get used to an approach where loads of teenagers are fondling their darlings in the street. I mean pistols, not girls. This is a stylish celebration of weapons. But you know what? The arms industry couldn’t hope for a better commercial. ()

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