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Paranoid, end-of-the-world thriller, in which a science teacher and his family try to outrun a neurotoxin sweeping the country. Lecturing his students about the mass disappearance of bees, teacher Elliot Moore (Mark Wahlberg) is informed that a wave of mass suicides is occurring across the country, initially believed to be some form of biological terrorist attack. Deciding to leave town by train with his wife Alma (Zooey Deschanel), fellow teacher Julian (John Leguizamo) and Julian's daughter Jess (Ashlyn Sanchez), the train finally comes to a halt before its final destination when the crew loses contact with the outside world. As the full enormity of the situation sinks in, what little information available from news reports suggests that the rapidly spreading neurotoxin is emanating from plants, and being spread on the wind. As the suicide pandemic reaches ever smaller population centres, Elliot, Alma and Jess have to fend for themselves, desperately seeking shelter from the approaching storm. (20th Century Fox Home Entertainment)

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Reviews (12)

DaViD´82 

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English When mom gets pissed, her offspring shakes with fear in the corner. When Mother Nature loses patience, not just human kind, but also good movies and Shya’s reputation go up the spout. Unfortunately. I sincerely don’t give a damn if this is meant seriously or not (of course it is), but the result is neither fish nor fowl. Occasionally ridiculous and unintentionally entertaining and at other moments precisely the type of movie I wanted to see (in a few shots Night comes closer to the atmosphere of “The" Birds by Du Maurier than Hitch himself does). Primarily the atmospheric landscapes with a myriad flowers were really impressive; look out, Gardener’s World. I’m sorry that in many scenes I find myself laughing at my favorite and not with him. But this isn’t downright ridiculous, nor is it boring and definitely not unbearable. But thanks to Wahlberg’s “acting performance", it is unintentionally camp. If it weren’t for him, I would go higher with the marks. And what’s the movie actually like? Hard to pin down. Sometimes it just ends up that way. In my eyes, this is the first and I hope the last time this happens for M. Shit happens. What happened happened. Too bad, today is another day. ♫ OST score: 3/5 ()

J*A*S*M 

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English Quite fun. How much you’ll enjoy it will depend on when you give up hope of a chilling thriller to make do with a parody of catastrophe movies. I did it during the first ten minutes and I could watch the rest with a smile on my face. I don’t think there’s any other way to be satisfied, because Shyalaman simply could not mean this seriously. Or maybe he did at first, but when he realised that Wahlberg and Deschanel weren’t the right casting choices, he decided to use them differently and turn the thriller he had planned into the utmost B-movie. What takes the film down very deep are the dialogues and the way the actors utter them, otherwise it would’ve been alright, there’s even some atmosphere here and there. I really want to believe in what I’ve just written, but unfortunately, I’m not that sure. If Happening is so bad unintentionally, we are witnessing an enormous failure by a director. There’s one exchange by the end that gives me some hope that my theory is true. In the scene when Elliot is telling about the time he went to buy cough syrup. Alma: “Are you joking?” (Elliot nods in agreement). Alma: “Thanks.” ()

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POMO 

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English Just no. This movie has Shyamalan’s typical signature in creating suspense (a spooky house with a spooky landlady), which tempts me to give it three stars, but unfortunately everything essential is amiss. The love motif doesn’t work, the relationship between the main characters is incomprehensible and there is no trace of interesting dialogue or a final point. The Happening is a bland, sometimes exciting and sometimes naïve farce, cooked in water salted with James Newton Howard’s music from Signs. ()

Isherwood 

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English The only question I have in connection with this film relates to the budget. I’d even suspect Shyamalan of preferring to embezzle a little something into his own pocket as if he suspected that his latest venture (as is slowly becoming his habit) wouldn't even make money. But now more seriously: I was not at all disappointed because this is exactly the kind of intimate thriller I was expecting. Shyamalan plunges ordinary characters into a marginal situation that cannot be properly rationally explained, leaving them groping not only over the question of mysterious deaths but also over their own relationships. These relationships are stressed in the extreme, even if some of the dialogue suffers from "romantic B-movie" syndrome. It's not about bogeymen, it's about questions we need to start asking. PS: At times, Shyamalan and his cinematographer Fujimoto did such great work that I thought about how good it would be if he had made Cormac McCarthy’s The Road. ()

D.Moore 

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English I'm probably tuned to a different wavelength than most users, but I quite liked The Happening. It doesn't have the feel of The Sixth Sense, Unbreakable or Signs, but it's still a film with a good atmosphere and an appealing "We pissed off nature - now it’s going to get even with us" idea. By the way, the film reminded me in many moments of King's book “Cell" (admit it, Shyamalan, you read it in one sitting too), in which something similar actually happens. Pros for The Happening: Scenes like the workers falling, the suicide shooters, "sleepovers" in the old woman's house, the ending. The actors aren't bad (except for a whole hour and a half of weirdly freaked out Zooey Deschanel), and Newton Howard's music is as good as ever. Cons: In terms of suspense, Shyamalan remains behind his previous films (the wind rustling in the treetops is no match for the cornfields), there is little that is scary, nerve-rattling or unexpected in The Happening... And there is also no particularly shocking point. It gets three stars. ()

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