The Happening

It’s a pity that the wind didn’t also engulf Václav Klaus, at least Shymalan's ecological agitprop would have had some useful effect. Now, seriously, Shyamalan hasn't lost his directorial skill and he can still make scenes that give you chills, but the problem here is in two things: the half-baked concept, where logic takes a vacation quite often, and then the leading duo. Mark Wahlberg, as much as I like him, is absolutely unsuited to the role of a high school biology professor and bumbling husband (Mark's pissed-off macho characters are best with a gun in his hand) and whenever he tries to play some serious emotion and speaks up, he ruins all the action on screen with his perpetually furrowed brow and unbelievable speech. Mark, sorry, this didn't work out (and now I’m afraid of Jackson's The Lovely Bones). And Zooey, that doll with big eyes, gives it an even bigger punch. So Shyamalan lost with the casting and the half-baked script, but I'm still a fan. (20/07/2008)

Well, I don't know, I'm kind of on the fence about this... If that's supposed to be a warning, it's a pretty lame one... in any case, I see it as the story of two people who didn't get along very well, their marriage stagnated, but thanks to something going on in the background that made them see a lot of dead bodies, they got back together... I guess :D (20/09/2008)

Just no. This movie has Shyamalan’s typical signature in creating suspense (a spooky house with a spooky landlady), which tempts me to give it three stars, but unfortunately everything essential is amiss. The love motif doesn’t work, the relationship between the main characters is incomprehensible and there is no trace of interesting dialogue or a final point. The Happening is a bland, sometimes exciting and sometimes naïve farce, cooked in water salted with James Newton Howard’s music from Signs. (09/06/2008)

The only question I have in connection with this film relates to the budget. I’d even suspect Shyamalan of preferring to embezzle a little something into his own pocket as if he suspected that his latest venture (as is slowly becoming his habit) wouldn't even make money. But now more seriously: I was not at all disappointed because this is exactly the kind of intimate thriller I was expecting. Shyamalan plunges ordinary characters into a marginal situation that cannot be properly rationally explained, leaving them groping not only over the question of mysterious deaths but also over their own relationships. These relationships are stressed in the extreme, even if some of the dialogue suffers from "romantic B-movie" syndrome. It's not about bogeymen, it's about questions we need to start asking. PS: At times, Shyamalan and his cinematographer Fujimoto did such great work that I thought about how good it would be if he had made Cormac McCarthy’s The Road. (21/07/2008)

We will get a point, the story moves forward along a path lined with tension and the actors guide us through this depressing world with such ease that the hour and a half flies by almost on its own. So why am I staring at ultra-low ratings and comments that constantly repeat borrowed complaints from reviews about the lack of a point and the presence of boredom? Happening is already the third film in a row by Shyamalan that the public expects to combine The Sixth Sense and Signs and be a similarly nerve-wracking affair like the two mentioned. And as a result of these expectations, a harsh impact comes. I understand this mistake with The Village, which I still consider one of the best films of my life, but with the excellent Lady in the Water, I understand it less, but if someone can't learn even on their third try, so be it. Perhaps it would be good to go to the cinema without prejudices and false expectations, and to reconcile with the unpredictable Indian Master will be on the agenda again. (23/06/2008)