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Mark Wahlberg and Christian Bale star in this inspirational and powerful true story of two brothers who against all odds come together to train for a historic title fight that has the power to unite their fractured family and give their run down town what it's been waiting for: Pride. Struggling boxer Micky Ward has long been overshadowed by his older bother and trainer, Dicky, a local legend who is now battling his own demons. The explosive relationship of these brothers threatens to take them both down but at the heart of this story is a bond of blood that may just be their only chance of redemption. (Momentum Pictures)

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EvilPhoEniX 

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English A decent boxing movie starring Mark Wahlberg and Christian Bale. I'm actually surprised I didn't get it sooner. It's mostly a drama about two brothers who have family problems and one of them is addicted to crack, but when Wahlberg gets in the ring, it's mostly something to watch. The final fight in particular was excellent. I enjoyed it, but it lacked the emotional impact to make a full count. There have been better pieces, but this one certainly doesn't fall short. 80%. ()

POMO 

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English A family drama (in the sense of a “drama about a family” rather than a “drama for the whole family”) that is pulled out of mediocrity only by the excellent Christian Bale (in a role similar to the one he played in Harsh Times). Fighter is a psychologically believable and, in terms of acting, focused film that doesn’t bring anything new to the genre of intimate relationship movies and doesn’t offer any moments of a more dramatic nature. Mark Wahlberg’s role suits him due to his real-life background, but the film rather needed a real actor in the mold of Bale for that role. ()

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Marigold 

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English In crack fumes and in the smell of peroxide on boxing Olympus. The sympathetic, if inconsistent, synthesis of the Royck genre film with family-social drama, which has little idea which side to be on more, and thereby prefers to do the sure thing. Thanks to Bale and a very juicy finale, sympathy wins above all, although the question of why Aronofsky reached for a more effective grease from Tchaikovsky continues to bother me. The Fighter is simply a more modest and sympathetic substance. And not just because it's got balls. ()

J*A*S*M 

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English The strongest response that The Fighter managed to get out of me was curiosity at whether Bale will get the Oscar for his secondary role as the skinny, drug-addicted brother/coach. I hope he does, because, although the film as a whole felt like classic award bait, Bale’s performance is the only thing that stands out among all the cynicism and it impressed me (something the cynicism from recent years, like Invictus or Milk, didn’t manage). Otherwise, it’s an ordinary story about how an unremarkable “loser” goes all the way to the top, though I didn’t get the feeling that Micky Ward made any extraordinary effort for that. The Fighter is not a bad film, but my sympathies lie elsewhere. 6/10 ()

novoten 

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English Already in the opening credits, it occurred to me that I had feared Fighter unnecessarily. And in the final credits, there was nothing ordinary or transparent about it at all. The cast surprises with their escalating performances (not surprisingly, the beautiful Amy Adams dominates), the TV-style fights in the ring draw you in and at the same time provide the necessary viewer's perspective, and in the end, even the perpetually screaming, "half-burdened" line with the successful family gains deeper meaning and stops being a distraction. This boxing story simply works from the first to the last minute. Some mistakes don't have to be repeated. ()

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