The Fighter

Freed from unnecessary pathos and sentiment, a boxing drama the likes of which we haven't seen for a long time. Above all, the central duo delivers an excellent performance. Christian Bale once again shows what he is capable of doing for his role; he lost a good 20 kilograms since Batman, and his emaciated, drug-addicted ex-boxer character is very well played. In some dialogues, the film has a very dramatic storyline, which makes it surprisingly gripping at times. The fights are by far not the only thing keeping film afloat, there are a few of them, and they are not worth mentioning much. I understand the Oscar nominations, after all, statues have always been awarded for boxing (why not tackle it). Much faster and smarter than I expected, Cinderella Man is an absolute lightweight compared to this. (20/02/2011)

Bale turned his supporting role into the main role. Marky Mark plays the dime-a-dozen boxer that this story revolves around, but Bale enjoys playing Dicky to the very full, while not forgetting to respect him as a person. Great swathes of this movie rely on him alone and some moments are memorable only due to him. David O. Russell is another ace up the Fighter’s sleeve and drives the movie forward. The final fight is precisely balanced, the family wrangling disappears in the abyss of time and the actors help overcome some of the clichéd passages. (05/03/2011)

A decent boxing movie starring Mark Wahlberg and Christian Bale. I'm actually surprised I didn't get it sooner. It's mostly a drama about two brothers who have family problems and one of them is addicted to crack, but when Wahlberg gets in the ring, it's mostly something to watch. The final fight in particular was excellent. I enjoyed it, but it lacked the emotional impact to make a full count. There have been better pieces, but this one certainly doesn't fall short. 80%. (30/08/2018)

In crack fumes and in the smell of peroxide on boxing Olympus. The sympathetic, if inconsistent, synthesis of the Royck genre film with family-social drama, which has little idea which side to be on more, and thereby prefers to do the sure thing. Thanks to Bale and a very juicy finale, sympathy wins above all, although the question of why Aronofsky reached for a more effective grease from Tchaikovsky continues to bother me. The Fighter is simply a more modest and sympathetic substance. And not just because it's got balls. (21/02/2011)

This is not so much a film about boxing and the hardships this sport brings (that's why comparisons with Rocky, Raging Bull, etc. are unwarranted), but mainly a social drama about a crazy family, a domineering mother-manager and two brothers who are completely different in character, all with riveting performances by almost everyone involved. While Wahlberg, with his unchanging poker player expression, hits his acting limits here, the anorexic Bale clearly reigns supreme and whenever he's on screen you can't take your eyes off him. There is such a believable and intimate atmosphere permeating the whole film, that you have no problem empathising with the action and watching it all in one breath. The only thing separating this film from a maximum rating is the fact that the plot meanders through predictable twists and turns, but otherwise it’s undoubtedly one of the films of the year and the Oscar nominations are well deserved. (27/02/2011)