Changeling

An unmissable experience. A packed movie theater (what a miracle, everybody was silent, no rustling, unbelievable...), two girls accompanying me and a movie where Clint masterfully changes genres perhaps more stylishly, more accurately and faster than he could shoot his Colt as a young man. And it doesn’t stoop to emotional blackmail, despite the subject matter crying out for it. This is the sort of movie where you need to take an oxygen canister to. Just in case it knocks the breath out of you. And that could easily happen. But what I would change is my very vague awareness of the story. On the other hand, if I had gone to see it in complete ignorance, I don’t think even the oxygen would have saved me. (08/01/2009)

A formally smooth drama with a strong premise, hurt a little but an overly sweeping and inconsistent script. There are chilling and breathtaking scenes followed by more protracted ones, which somewhat bothered, because they don’t carry on with what the previous scene set up. I’d compare it to a car waiting at a traffic light: as soon as it starts, it has to stop again, and again. Angelina delivers a solid, though not Oscar-worthy performance (see Kate Winslet in Revolutionary Road). The very fitting music is also worth mentioning, in the last shot it builds a very strong background with similar results as in Gran Torino (you’ll know if you’ve seen it). Changeling is a very good film, but I can’t give it the highest rating because some of this year’s Oscar hopefuls have had a bigger effect on me. (09/01/2009)

Eastwood and the most firmly held formula. A story that could be retold in three sentences stretches over two hours, but with a fascinating talent it forces the viewer to immensely enjoy that time. Every emotion feels genuine, Angelina overcomes her acting limits and the period atmosphere attacks all of my senses. If the whole film wasn't infused with a very credible, unpleasant, and unrelenting hint of inhumanity, it could have been even better. (14/09/2009)

A solid Straczynski drama with decent production design, and interesting direction, but also a strange performance by Angelina and a few hobbling a-historical issues. In summary, however, I can recommend Changeling, and perhaps thanks to it younger people will understand who Tom Mix and Claudette Colbert were. (13/05/2014)

Clint Eastwood with fragile piano music is the Danielle Steel of serious topics. But for topics as serious as those addressed in Changeling, and especially for tying them together in some meaningful way, a big heart alone is not enough. (15/01/2009)