Scott Pilgrim vs. the World

Scott Pilgrim offers up a deluge of ideas, likable eccentricity and “fight” scenes that are easier to follow than those in most typical action movies. If today’s teenagers loved this more than superficial flicks in the vein of Twilight, the world would be a better place. (30/09/2010)

With this film, it really depends on whether you are willing to accept the rules that apply in Scott Pilgrim's world, where funny words fly through the air or spectacular battles between rivals in love take place. Personally, I failed to submit to these wacky rules, which is why this film felt a little too over-the-top and absurd at times. That it is a very original mix of ideas and sequence of images, there is no doubt. But it just didn't entertain me as much as it should or could have. In short, a wild shower of colour, nice scenes and effects, but all wrapped up in a rather strange story that unfortunately didn't engage me. (03/06/2012)

I loved the concept from the start. Combined with Wright's semi-crazy (but really delightful) directorial trademark, a likable and witty script, actors tailor-made (in my opinion) for the target audience, its overall detachment, and its abundance of pop culture references, Scott Pilgrim works perfectly. I really like films made with energy and inventiveness and, if they doesn't overstay their welcome and maintain some reasonable level of taste, they usually "gets away" with a full rating – because the entire running time in such a case passes incredibly quickly, entertains royally, and leaves me wanting to watch it again sooner or later. In short, it's a purely professional work and it's obvious that the creators have the area they set off on very well mastered and studied. That it doesn't feel forced for a moment as a result is just another plus and I really can't help but give it 5 stars. (01/01/2011)

If someone has watched, read, listened, and recorded plenty of things, and they can also film in such a way that it is perfectly entertaining, then we’ve got nothing to worry about. During the screening, I wanted to chant and cheer loudly, and after it was over, I wanted to go back to the box office and do it all over again. This sort of "style geyser" cannot be absorbed the first time around. This is the second film this year where inventive British filmmaking has made an incredible splash for Hollywood money. (12/10/2010)

An incredibly original visual action ride, packed from beginning to end with directorial tweaks, graphics, and situational and verbal humour; every sentence is a joke. Scott Pilgrim is thoroughbred fun that demands a lot of attention from the viewer if they want to get all the jokes. If you ignore the superficial shiny tinsel, what’s left is a straight line that recycles old clichés with unprecedented vigour, relies on the repetition of one motive and takes place in an internally inconsistent and utterly insane world, but nobody cares. That would be very bad, but the protagonist is an ordinary geek who’s probably never come up with anything original (pick-up line), he only cares about one thing (video games) and his world and life cannot be considered deep or complex. The only question left is whether this film can be considered as a portrayal of the world through the eyes of Scott Pilgrim, or whether I’m just looking for things that aren’t there. Either way, it was a lot of fun. 9/10 (22/10/2010)