The Way Back

The nonsensically edited first half, which doesn't let a single scene resonate, battles with the beautifully sprawling second half that pushes the limits of the widescreen camera to the limit. This takes points off Weir's film in the final rating despite the fact that he manages to introduce his characters using only a few words and make you like them without dramatizing the scene in any drastic way; he makes do with great actors, a few frostbite marks, and swollen lips from dryness. (13/10/2011)

I have a soft spot for Weir, but he’s off the mark here. Actually, I think that it wasn’t reasonable to even try to make a film like this, paradoxically, for the same (or rather, opposite) reason that made me doubt 127 Hours. Whereas in Boyle’s latest, there wasn’t enough story for a feature film, in The Way Back  there is too much and it feels like a bunch of haphazardly cut sections of the story of a much longer film. I can’t say I had fun, or that I feel like watching the extended (complete) version. After those 133 minutes, I felt almost as exhausted as if I had made that trek, which, as someone who likes comfort, is not something I can appreciate. (21/04/2011)

What was missing in As Far as My Feet Will Carry Me was in this film. Characters one can relate to, spectacular shots of Russian, Mongolian, Indian and other nature (National Geographic is National Geographic), great music. Some of the scenes (the men chase away a pack of wolves from a carcass and then act just like them - crossing the desert...) are memorable, as are Colin Farrell's creations (I was staring). I was disappointed by the totally unused Mark Strong, the shamefully shortened Himalayan crossing and the whole rushed ending in general. (25/08/2011)

Peter Weir light. The overall impression is not that powerful, but the film offers a lot of unforgettable details. You will enjoy getting to know different characters and the importance of the positive synergy of their natures and abilities for achieving a common goal – survival and freedom. The Way Back features a well-chosen cast, subtle and intelligent humor, and a slow pace with just a few dramatic moments. Do not expect big things. Watch and listen. You’ll be satisfied with having learned something, and the characters will remain in your memory. (01/05/2011)

Nothing but a few above-average scenes that touch the heart. Otherwise, this film is too polished and cinematic, which shouldn't be surprising considering it was directed by a film classic and a person who rarely goes against the tide. Peter Weir is undoubtedly a great director, but his conservative style didn’t resonate with me here. He knows how to set up a good game, with an attractive thematic approach and a stellar cast, but he didn't completely captivate me. Without the crazy Colin Farrell and the raw Ed Harris, The Way Back would be nothing more than an average adventure film, where everything is as it should be, and the plot can be essentially predicted. The dream sequences are completely out of place. What I want is either a gritty, uncompromising film, or something that I can philosophise to. Having both doesn't work. (04/06/2011)